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DTSTART;TZID=America/Los_Angeles:20090810T190000
DTEND;TZID=America/Los_Angeles:20091005T210000
DTSTAMP:20231006T004425Z
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SUMMARY:Literary Nevada: Writings from the Silver State
DESCRIPTION:Cheryll Glotfelty\, CASE-Carnegie Professor of the Year for Nevada and Associate Professor of English\, University of Nevada\, Reno\, will be holding a series of public humanities talks and conversations in Northern Nevada based on Literary Nevada:  Writings from the Silver State. Literary Nevada is the first comprehensive anthology of Nevada literature.  The events are co-sponsored by Nevada Humanities and the University of Nevada Press. \nTalks will discuss Nevada through the lens of its literary heritage and include a conversation with the audience about Nevada’s stories.   A focal point of the conversation will be about living in Nevada and its rural communities\, and the stories that help us “re-see” our place. \nCheryll Glotfelty has published widely on western American literature in periodicals\, essay collections\, and reference works.  Twelve years of literary sleuth-work went into the making of Literary Nevada:  Writings from the Silver State\, recently published by the University of Nevada Press. \n“This book is a wonderful gift to Nevada’s people\, to westerners in general\, and to a confused nation seeking to understand its roots. It’s full of vivid\, compelling storytelling that can lead readers to an imaginative understanding of Nevada and western life and literature as they have evolved. This is a very special defining book. We inhabit our own nation\, and its literature is beginning to get due recognition. This book will be an important part of that movement.”\n–William Kittredge\, editor of The Last Best Place: A Montana Anthology
URL:https://gbae.org/event/literary-nevada/
LOCATION:NV
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DTSTART;TZID=America/Los_Angeles:20091005T190000
DTEND;TZID=America/Los_Angeles:20091005T210000
DTSTAMP:20231006T004219Z
CREATED:20090528T065235Z
LAST-MODIFIED:20231006T004219Z
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SUMMARY:Paul Geremia – Acclaimed Country Blues Fingerpicker
DESCRIPTION:Blues Legend Springs Surprise Martin Show \nby Henry Kingman \nOne of the world’s greatest living bluesmen will appear at The Martin Hotel this Saturday. Tickets for the 7 PM show\, which was confirmed mere days ago\, cost only $10\, with all proceeds\ngoing to the musician. \nPaul Geremia has been a working musician for forty-three years. He plays finger-style country blues on 6- and 12-string guitars\, accompanied at times by mouth harp and verse sung like he means it. \nSomething of a purist\, Geremia plays with high fidelity to the masters – Robert Johnson\, Blind Lemon Jefferson\, Mississippi John Hurt\, Howlin’ Wolf\, Charlie Patton\, and scores of others. In a life on the road\, he has managed to dodge mainstream fame and fortune\, while racking up more miles\, friends\, and musical accomplices than anyone but perhaps Ramblin’ Jack Elliot or Woodie Guthrie. Geremia is definitely in it for the music. \nBesides playing the masters\, Geremia writes original material\, and has recorded about a dozen solo albums. His idiosyncratic style celebrates crooked beats\, and musical quotes\, asides\, and humor. Some of the lyrics are pretty funny\, too. \nBetween songs\, Geremia likes to share his views on life\, the times\, and particularly the history of the blues. Things never get too dry or academic\, though\, because the stories are all so personal. Geremia has at some point played or recorded with every country blues picker from Piedmont to the Delta\, it seems. \nGeremia is himself a third-generation Italian American hailing from Providence\, Rhode Island – the Providence Delta\,” he likes to joke. Unusually for a “blues legend” of his stature\, Geremia books his own shows\, tours alone\, and stays mostly with friends. He learned about the Martin from Roy Book Binder\, who apparently described it as the best venue in the entire West. \nWe couldn’t agree more\, and hope a good crowd will turn out\, despite the last-minute notice\, to appreciate one of the all-time greats in a rare West Coast appearance. The show is Saturday\, May 30\, 7 PM at the Martin Hotel on Railroad Street. Tickets are $10\, and available now at the Martin\, or at Nature’s Corner on Winnemucca Blvd.
URL:https://gbae.org/event/paul-geremia-acclaimed-country-blues-fingerpicker700-pm-saturday-may-30-2009/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
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ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
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DTSTART;TZID=America/Los_Angeles:20091005T190000
DTEND;TZID=America/Los_Angeles:20091005T210000
DTSTAMP:20231006T004210Z
CREATED:20090716T021844Z
LAST-MODIFIED:20231006T004210Z
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SUMMARY:Spring Creek~Rural and Cosmic Bluegrass
DESCRIPTION:Spring Creek from Lyons\, Colorado\, are quickly gaining a reputation as the hottest young band in the Rocky Mountains. The quartet play a mix of bluegrass standards and compelling originals\, and all four musicians are also accomplished vocalists. Spring Creek is built on the fundamentals of bluegrass\, yet they create their own classic contemporary style. \nThe young band\, whose members met in music school in Texas\, have studied and performed together for several years\, creating a tight\, polished sound. Counting such bands as Country Gazette and Hot Rize among their influences\, Spring Creek’s members have a deep respect for tradition\, as well as an innate sense of musical innovation. \n“We choose songs that suit our style\,” says guitarist Taylor Sims. “I enjoy the pilgrimage–learning songs the way they’ve been played for years and years\, staying close to tradition. But a lot of different kinds of songs can fit into the traditional bluegrass style if they are done really well. We try hard to do each song justice\, with real bluegrass-style harmonies and arrangements.” \nJudges at two recent band competitions agree that Spring Creek have what it takes to deliver the high\, lonesome sounds in the Appalachian tradition. The band won the Telluride Bluegrass Festival band contest in June 2007\, and won their second Planet Bluegrass title later that summer at the 35th annual Rocky Mountain Bluegrass Festival (RockyGrass) held in Lyons. \n“We won Telluride pretty exclusively based on the strength of our original material\,” explains Alex Johnstone\, who plays both mandolin and fiddle in Spring Creek. “People are learning our tunes now and that’s so exciting.” \nThough they clearly appeal to traditional bluegrass fans\, the Spring Creek musicians mix in a little something for everyone at their live shows. Expect to hear an Elton John or Gillian Welch cover squeezed in between a blazing fast Carter Stanley instrumental and a rip roarin’ Bill Monroe tune. Band mates agree that they want to have a hand in initiating younger audiences into the bluegrass fold. \n“I’m into the idea of playing for general audiences where people might be exposed to traditional bluegrass for the first time\,” says Chris Elliott\, who in addition to his band’s win at RockyGrass\, also celebrated earning top honors in the festival’s banjo instrument contest. \n“When I first saw younger people playing bluegrass\, I thought\, ‘Wow\, this could be really cool\,’” says Elliott. “If more young people are exposed to bluegrass at the right time\, they’ll like it too.” \n“We really want all generations to appreciate bluegrass\,” agrees bassist Jessica Smith. “Some kids think it’s just sleepy music for older people. We show them that we have real energy and passion; we show them that it’s something special.” \nFollowing up on 2006’s Rural & Cosmic Bluegrass\, Spring Creek released Lonesome Way to Go in March 2008 and their third disc\,Way Up on a Mountain on Rebel Records in May 2009. This 12-track album of kickin’ Colorado bluegrass has charmed fans\, critics\, DJs and festival producers alike with its expert vocals\, instrumental work and impressive writing. \n“Spring Creek has redefined what can be accomplished on acoustic instruments\,” says Chris Kelly of the Crested Butte Weekly. “They are an act not to be missed\, as their constant live performances have allowed them to become a tight-knit musical ensemble.” \n“On stage\, the band has real chemistry\,” says Kelly. “Through mutual stimulation and stage-fed adrenaline and energy\, the band can thrust itself into an acoustic frenzy!”
URL:https://gbae.org/event/springcreek/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
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ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
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DTSTART;TZID=America/Los_Angeles:20091005T193000
DTEND;TZID=America/Los_Angeles:20091005T213000
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SUMMARY:The Earl Brothers
DESCRIPTION:The Earl Brothers\, a 4-piece\, all-original string band from Northern California\, stands at the cutting-edge of a movement so new\, it has yet to be definitively named. Whether one chooses to describe them as “Honky-Tonk Bluegrass\,” “Hillbilly Gothic\,” or “Neo-Traditional\,” there is one thing on which everyone seems to agree. There is something about this band’s “less is more” approach to songwriting\, singing\, and musicianship that makes you stop whatever you’re doing and take notice. \nFor those who remember the goose-bumps they felt the first time they heard the high-lonesome sound of Bill Monroe or the otherworldly harmonies of the Stanley Brothers\, that same thrill of discovery is being created all over again by the Earl Brothers. Unlike other traditional bluegrass bands that seek to re-create the music of the original bluegrass masters\, the Earl Brothers are blazing their own trail\, extending the genre\, while simultaneously staying solidly within the gritty tradition that started in the 1940s and 50s. Listeners are left with a mix of exhilaration and bewilderment upon their first exposure to this new-yet-old form of music. As one listener remarked\, “There is something mysterious that happens when the Earl Brothers take the stage. I don’t know what it is\, but I don’t have to. I just know that something important is going on.” \nIn the short time since the release of their second album\, Troubles To Blame (the eagerly anticipated follow-up to Whiskey\, Women & Death)\, The Earl Brothers have received an overwhelmingly enthusiastic response from music-lovers\, festival promoters\, radio DJs\, and music journalists across the country and abroad. The album rose to the top spot on the WDVX play list in Knoxville\, TN\, just a few short weeks after its debut on that station. CD orders and radio requests have been tumbling in from such far-flung locales as Australia\, Belgium\, France\, Japan\, the Netherlands\, New Zealand\, and even New York City! \nThe band is built around the unique vocal and songwriting attributes of the creative duo of Bobby Earl Davis (banjo) and Danny Morris (guitar). There is an indescribable “something” that happens when these guys sing together that makes the listener feel as if he or she has taken a step outside of the current time and place and somehow ended up in a different dimension that is unmistakably old-time but is simultaneously avant-garde. The subject matter is mostly limited to “dreadful” subjects—death\, drinking\, chasing and losing women—and an occasional honky-tonk gospel to atone for all of these transgressions. Rounding out the sound is the tasteful fiddle playing of Tom Lucas and the driving bass of James Touzel. \nGive them a listen on their MySpace page:
URL:https://gbae.org/event/earlbrothers/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
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