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DTSTART;TZID=America/Los_Angeles:20190430T180000
DTEND;TZID=America/Los_Angeles:20190430T200000
DTSTAMP:20260503T075211
CREATED:20190321T194334Z
LAST-MODIFIED:20230127T042701Z
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SUMMARY:The Evie Ladin Band
DESCRIPTION:neo-traditional kinetic roots trio \nMusic at the Martin Hotel – Winnemucca\n7:00 PM\, Saturday\, April 13\, 2019 \nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online just below. \n \n  \n\nhttps://gbae.org/wp-content/uploads/2019/03/03_Only-You.mp3\nWe’re sure going to have fun when Bay Area clawhammer banjo player Evie Ladin brings her trio to town. Evie\, a native of New Jersey\, grew up immersed in old time and folk music as she accompanied her mom and dad to stringband and folk dance festivals up and down the east coast. She is an amazing talent on the banjo and is now embedded in the old-time music and dance scene in the Bay Area. Her world traveling band is completed by two outstanding multi-instrumentalists\, Erik Pearson who we have seen many times with the Crooked Jades\, and Keith Terry who keeps the beat with bass\, bells\, box\, and body music. \nExpect a highly entertaining show featuring traditional Appalachian tunes and many original songs built on that tradition but now taken to some innovative and quirky places by these rhythm aces. Likely to be some tapping\, snapping\, dancing\, and slapping\, some thumping\, clicking\, and popping\, and all other manner of percussion going on at times. Oh yeah\, expect some beautiful and interesting singing and voice harmonizing.
URL:https://gbae.org/event/the-evie-ladin-band-2/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2019/03/EvieLadinBand.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190413T190000
DTEND;TZID=America/Los_Angeles:20190413T210000
DTSTAMP:20260503T075211
CREATED:20190321T051150Z
LAST-MODIFIED:20230127T041941Z
UID:3445-1555182000-1555189200@gbae.org
SUMMARY:The Evie Ladin Band
DESCRIPTION:neo-traditional kinetic roots trio \nMusic at the Martin Hotel – Winnemucca\n7:00 PM\, Saturday\, April 13\, 2019 \nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online just below. \n \n  \nhttps://gbae.org/wp-content/uploads/2019/03/03_Only-You.mp3\nWe’re sure going to have fun when Bay Area clawhammer banjo player Evie Ladin brings her trio to town. Evie\, a native of New Jersey\, grew up immersed in old time and folk music as she accompanied her mom and dad to stringband and folk dance festivals up and down the east coast. She is an amazing talent on the banjo and is now embedded in the old-time music and dance scene in the Bay Area. Her world traveling band is completed by two outstanding multi-instrumentalists\, Erik Pearson who we have seen many times with the Crooked Jades\, and Keith Terry who keeps the beat with bass\, bells\, box\, and body music. \nExpect a highly entertaining show featuring traditional Appalachian tunes and many original songs built on that tradition but now taken to some innovative and quirky places by these rhythm aces. Likely to be some tapping\, snapping\, dancing\, and slapping\, some thumping\, clicking\, and popping\, and all other manner of percussion going on at times. Oh yeah\, expect some beautiful and interesting singing and voice harmonizing.
URL:https://gbae.org/event/the-evie-ladin-band/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2019/03/EvieLadinBand.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190312T190000
DTEND;TZID=America/Los_Angeles:20190312T210000
DTSTAMP:20260503T075211
CREATED:20190126T193302Z
LAST-MODIFIED:20230127T042130Z
UID:3360-1552417200-1552424400@gbae.org
SUMMARY:Alash - Throat Singers from Tuva
DESCRIPTION:unique sounds from the earth\, otherworldly\, strange\, and beautiful \nMusic at the Martin Hotel – Winnemucca\n7:00 PM\, Tuesday\, March 12\, 2019\nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n\nTrack from their new record “Achai” : “Let’s Fatten the Livestock” \nhttps://gbae.org/wp-content/uploads/2019/01/Odarladyp_Semirtiili_Lets_fatten_the_livestock.mp3\nAlash is a trio of master throat singers (xöömeizhi) from Tuva\, a tiny republic in the heart of Central Asia. The ancient art of throat singing (xöömei)\, a remarkable technique for singing multiple pitches at the same time\, developed among the nomadic herdsmen of this region. Alash remains grounded in this tradition while expanding its musical vocabulary with the subtle infusion of modern influences into their music. \nTrained in traditional Tuvan music since childhood\, the Alash musicians studied at Kyzyl Arts College just as Tuva was beginning to open up to the West. They formed a traditional ensemble and won multiple awards for traditional throat singing in international xöömei competitions\, both as an ensemble and as individuals. At the same time\, they paid close attention to new trends coming out of the West. They have borrowed new ideas that mesh well with the sound and feel of traditional Tuvan music\, but they have never sacrificed the integrity of their own heritage in an effort to make their music more hip. \n \nAlash first toured the U.S. under the sponsorship of the Open World Leadership program of the Library of Congress and the National Endowment for the Arts. Since then they have returned many times\, to the delight of American audiences. The Washington Post described their music as “utterly stunning\,” quipping that after the performance “audience members picked their jaws up off the floor.” \nAlash enjoys collaborating with musicians of all stripes. They appear as guest artists on Béla Fleck & the Flecktones’ holiday CD Jingle All the Way (2008)\, which won a Grammy. The Denver Post remarked\, “As electrifying as the Flecktones’ performance was\, the band were nearly upstaged by Alash Ensemble.” Since Alash’s first partnership with the legendary Sun Ra Arkestra\, they have collaborated with musicians across the spectrum\, from country to classical to jazz to beatboxing. Most recently\, the jazz CD The Viridian Trio (2017) features Alash in a musical remembrance of the late Kongar-ool Ondar­­. \nBeyond performing\, Alash has a passion for teaching and promoting understanding between cultures. Their tours often include workshops where they introduce Tuvan music to students from primary\, middle and high schools\, colleges\, universities\, and music conservatories. Children as young as 8 and 9 have learned to throat-sing. As one student exclaimed\, “Alash opened my eyes to a whole new world!” \nAlash has released four CDs of its own: Alash Live at the Enchanted Garden (2006)\, Alash (2007)\, Buura (2011)\, and Achai (2015\, re-released on Smithsonian Folkways in 2017). \n 
URL:https://gbae.org/event/alash-throat-singers-from-tuva/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2019/03/Alash2019.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181110T190000
DTEND;TZID=America/Los_Angeles:20181110T210000
DTSTAMP:20260503T075211
CREATED:20181101T183148Z
LAST-MODIFIED:20230127T052732Z
UID:3358-1541876400-1541883600@gbae.org
SUMMARY:Ben Hunter & Joe Seamons
DESCRIPTION:acoustic blues\, field hollers\, fiddle & banjo breakdowns\, and early jazz\n7:00 PM\, Saturday\, November 10\, 2018 \nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n \n  \nBen Hunter & Joe Seamons are songster revivalists who perform acoustic blues\, field hollers\, fiddle & banjo breakdowns\, and early jazz that delights audiences in concerts and workshops nationwide. For seven years\, their tours have extended their work as teachers and community organizers in their home of Seattle\, Washington. With their unique integration of performance\, education and modern-day folklore\, this duo redefines the role of a songster in the 21st century. In 2016\, they earned 1st place in the International Blues Challenge’s solo/duo category. In July\, they released a new album with harmonica master Phil Wiggins entitled “Black & Tan Ball.” \nBen and Joe have been playing together for almost 7 years\, the last 5 of which sent them to the Port Townsend Acoustic Blues Festival\, learning at the feet of the elders of the acoustic blues tradition. They found an affinity in the many branches that tied into the blues and created this duo as a way to explore these branches. Their musical kinship and sense of joy in interpreting this music is evident and was the basis of an invitation from Dom Flemons (formerly of the Carolina Chocolate Drops) to tour and record for his album Prospect Hill. Rather than thinking of their music as blues\, it’s best to situate Ben and Joe as American songsters. A songster traditionally refers to an artist whose repertoire is much broader than the old blues\, and spans many of the genres that Ben and Joe inhabit. Uncle Dave Macon\, Robert Johnson\, and Charlie Patton are classic examples of songsters. Their music hews to the rough-and-tumble collisions of musical inspirations from the early 20th century; music that paved the way for everything we enjoy today. \nIn January of 2016\, the Washington Blues Society sent Ben and Joe to the 26th annual International Blues Challenge in Memphis\, TN. There\, they were awarded 1st place—out of 94 solo/duo acts representing 16 countries—for their unique blend of a cappella field hollers\, fiddle & banjo breakdowns\, and duet distillations of early jazz. \nIn 2017\, they toured Europe with Phil Wiggins\, released a new album with Phil\, “Black & Tan Ball\,” and began to put the finishing touches on the new community venue where the trio recorded together\, South Seattle’s Black & Tan Hall.
URL:https://gbae.org/event/ben-hunter-joe-seamons/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180831T190000
DTEND;TZID=America/Los_Angeles:20180831T210000
DTSTAMP:20260503T075211
CREATED:20180824T183028Z
LAST-MODIFIED:20230127T053423Z
UID:3356-1535742000-1535749200@gbae.org
SUMMARY:Roy Book Binder
DESCRIPTION:Singer\, Songwriter\, Storytelling Bluesman\n7:00 PM\, Friday\, August 31\, 2018\nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \nRoy Book Binder at the Martin 2008\nThe great Roy Book Binder is set to play a concert at the Martin Hotel on Friday\, August 31. 2018. Something of a national treasure\, Book Binder plays blues in the Piedmont style\, a very old East Coast tradition based on ragtime and multi-part gospel guitar techniques. \nBesides being a musical giant with unexceeded technique\, Book Binder is known as a crowd-pleasing entertainer with deft comic timing\, an encyclopedic knowledge of American roots music history\, and an inexhaustible supply of tales collected over a lifetime of traveling and performing with greats like Brownie McGhee\, Sonny Terry\, Rock Bottom\, Fats Kaplin\, Doc Watson\, Bonnie Raitt\, and Ray Charles. \nBook Binder emerged alongside pal Dave van Ronk in the New York City coffeehouse scene of the mid-60s\, the beginning of the so-called “folk revival.” And\, his repertoire includes “Bookaroo” songs\, played in a folk style reminiscent of Rambling Jack Elliot\, and Don Edwards. \nBook Binder’s real bailiwick\, though\, is blues in the East Coast or “Piedmont” style\, named for the plateau that stretches from Richmond\, Virginia to Atlanta\, Georgia. The style evolved in the 20s\, 30s\, and 40s\, when ragtime\, parlor\, and gospel guitar players like Blind Blake\, Blind Boy Fuller\, and Reverend Gary Davis began applying polyphonic finger-picking technique to the blues. Book Binder perfected his Piedmont technique as Davis’s protégé\, working as the blind virtuoso’s driver and side-man during the late 1960s. \nBook Binder has recorded eight albums\, most in a “hillbilly” blues style that includes plenty of colorful banter between the tracks. Often\, the stories and jokes stretch back to Book Binder’s formative years on the road with the Reverend Davis. Though based on old-time techniques\, his songs sound fresh and relevant\, often featuring original lyrics re-spun to reflect contemporary themes. \nBook Binder continues to perform solo shows around the world\, the last time we saw him he was about to leave for the Blues Festival in Hell Norway where he appeared along with Ramblin’ Jack and many other greats. He also teaches at MerleFest and the Fur Peace School\, and keeps an entertaining travel “blog” on his website\, RoyBookBinder.com. \nSo\, if you’re in town over the weekend\, don’t miss the chance to see one of the great bluesmen of all time\, up close and personal\, right here in Winnemucca. The show starts at 7 PM on Friday\, August 31\, at the Martin Hotel on Railroad Street.
URL:https://gbae.org/event/roy-book-binder-3/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2010/07/Bookbinder-Winnemucca-2008.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180627T190000
DTEND;TZID=America/Los_Angeles:20180627T210000
DTSTAMP:20260503T075211
CREATED:20180620T182914Z
LAST-MODIFIED:20231001T234005Z
UID:3354-1530126000-1530133200@gbae.org
SUMMARY:John Reischman & The Jaybirds
DESCRIPTION:Stylish Contemporary Bluegrass\n7:00 PM\, Wednesday\, June 27\, 2018\nPurchase your $20 tickets Now! On-line from The Martin Hotel Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca.\n \nLike the powerful mandolinist and composer at its helm\, John Reischman and the Jaybirds fashion a stylish take on bluegrass that seamlessly blends original songs and instrumentals with Appalachian old-time music for a truly unique band sound. Now in their 20th year\, with seven acclaimed albums and two Juno nominations\, the Jaybirds are simultaneously innovative and unadorned\, sophisticated and stripped-down\, happily old-fashioned and 21st-century contemporary. \nBluegrass Unlimited calls John Reischman “one of the world’s undisputed masters” of the mandolin\, famed for outstanding tone and taste. Many of his dozens of original instrumentals have become popular favourites for sessions and covers\, such as the jam standard Saltspring. He has three critically-acclaimed solo instrumental albums and has recorded on many other projects\, including the Grammy-winning True Life Blues: The Songs of Bill Monroe. John also plays Latin-based jazz and choro music with highly regarded finger-style acoustic guitarist/composer John Miller; the duo has released three superb albums. \nJohn began his career in the San Francisco Bay area in the early ’80s with the eclectic Good Ol’ Persons bluegrass band. He was an original member of the legendary “new acoustic” quartet\, the jazz-influenced Tony Rice Unit\, renowned for highly skilled instrumentals. John moved to Vancouver in the early ’90s and in 1999 formed the Jaybirds. Of their latest album\, Folk Radio UK said “On That Other Green Shore showcases an accomplished\, experienced band at the peak of their powers\, with musicianship of the very highest order.” Peghead Nation called it “one of the most beguiling bluegrass-rooted recordings of 2017.” \nLos Angeles\, CA-based guitarist Patrick Sauber joined the Jaybirds in 2017. The veteran performer has played with\, among others\, Doc Watson\, Richard Greene\, John Jorgensen\, Peter Rowan\, Tim O’Brien and John Fogerty. He played on the 2016 Grammy-nominated album The Hazel and Alice Sessions by Laurie Lewis\, and appeared in the film A Mighty Wind with Christopher Guest. Bluegrass Unlimited describes Patrick’s playing on John’s tune Daylighting the Creek as “a glorious flatpicking solo that hews back to the glory days of early bluegrass guitar.” \nChilliwack\, BC-based Trisha Gagnon is portrayed by Sing Out! as “one of the most versatile” and “irresistible” lead vocalists in bluegrass\, her strong and distinctive style ranging from “mournful and plaintive” to “hopeful and yearning.” Trisha anchors what Dirty Linen magazine calls “gorgeous three-part harmonies.” She’s also known for songwriting\, dating back to her early days with the award-winning B.C. bluegrass band Tumbleweed. Her solo album includes guests Vince Gill and Peter Rowan. \nNanaimo\, BC-based Nick Hornbuckle has developed his own voice on the five-string banjo – a two-finger roll unlike other contemporary banjo players. “Nick Hornbuckle’s banjo can be downright spine-tingling\,” said the L.A Daily News. His solo album 12×2 (+/-1)\, was nominated for a Canadian Folk Music Award in 2015\, and Nick is a composer who also digs for rare old-time gems. His sprightly instrumental Wellesley Station on the new Jaybird album “showcases Nick’s sharp picking and sense of melody\,” said Green Man Review. \nSpokane\, WA-based Greg Spatz is hailed as a “world-class bluegrass fiddler” by Fiddler Magazine. Audiophile Audition says Greg’s “virtuosic playing is flawlessly delivered time after time\,” while Bluegrass Unlimited says he “lays down some seriously fine bluegrass fiddle” on the latest Jaybirds release. His strong chops have made him a popular fixture down through the years on the West Coast\, where he’s played with iconic mandolinist Frank Wakefield\, resophonic guitar master Rob Ickes\, and many others including Laurie Lewis\, Bryan Bowers\, and Eli West and Cahalen Morrison. Greg also plays and records with Mighty Squirrel\, has a solo album called Fiddler’s Dream and a duo recording with his wife called All Along the Sea\, and is an award-winning novelist.
URL:https://gbae.org/event/john-reischman-the-jaybirds/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2018/06/Jaybirds-2018-560px-1.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180615T190000
DTEND;TZID=America/Los_Angeles:20180615T210000
DTSTAMP:20260503T075211
CREATED:20180607T182747Z
LAST-MODIFIED:20230127T053951Z
UID:3352-1529089200-1529096400@gbae.org
SUMMARY:Too Slim & the Taildraggers
DESCRIPTION:Rockin’ Blues Power Trio\n7:00 PM\, Friday\, June 15\, 2018\nPurchase your $15 tickets Now! On-line from The Martin Hotel Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca.\n \nIf Tim “Too Slim” Langford only played slide guitar\, he would slither around most other blues guitarists and put a ferocious bite on their pride. However\, as the sole six-string slinger\, songwriter and lead singer of the power trio Too Slim and the Taildraggers\, he is a total force of nature when using his home studio equipment for the concerts. \nIn 2014\, Too Slim and the Taildraggers released “Anthology”\, recorded in Nashville with Producer Tom Hambridge click to learn more about this production.  Anthology was chosen as the #1 Album of the Year by the Blues Matters Writers poll in the UK\, and was #4 on the 2014 Roots Music Report Top Radio play for 2014. Too Slim and the Taildraggers 2013 release “Blue Heart” rose to #3 on Billboards Top Blues Album Chart in 2013 and was nominated for Blue/Rock Album of the Year in 2014 at the Blues Blast Music Awards. \nNow with 17 albums and countless gigs\, he remains as untamed and menacing as ever. Too Slim and the Taildraggers 2012 CD Shiver was nominated for Blues Rock Album of the Year by the Blues Foundation at the 2012 Blues Music Awards in Memphis TN. Too Slim and the Taildraggers last three releases have also charted 20 plus times in the top 10 on Billboards Top Blues Album Charts. Too Slim and the Taildraggers have received Hall of Fame and Lifetime Achievement Awards by The Washington Blues Society\, The Cascade Blues Society and the Inland Empire Blues Society. Band Leader Tim Langford has also received numerous Best Band\, Best Guitarist\, Best Album and Readers Poll Awards from all three Blues Societies and NW Media. \nToo Slim and the Taildraggers music have also been featured on MTV’s series\, The Real World and Road Rules. Tim “Too Slim” Langford\, with his band the Taildraggers\, have created an eclectic style of blues and rock that has become a genre all its own. The bands ever evolving musical direction cannot be classified into any box or category. The eclectic nature of the band allows Too Slim and the Taildraggers to easily crossover and appeal to audiences of various musical tastes. \nIn 2012\, Tim Too Slim Langford relocated from Seattle to Nashville Tennessee. Too Slim is backed by the some of the best musicians Nashville has to offer\, Eric Hanson on Bass and Jeff “Shakey” Fowlkes on Drums/Vocals.
URL:https://gbae.org/event/too-slim-the-taildraggers/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180427T190000
DTEND;TZID=America/Los_Angeles:20180427T210000
DTSTAMP:20260503T075211
CREATED:20180418T182612Z
LAST-MODIFIED:20231001T234159Z
UID:3350-1524855600-1524862800@gbae.org
SUMMARY:Stephanie Nilles w/ Thomas Deakin
DESCRIPTION:It’s hard to say what will happen\, and how this will end\n7:00 PM\, Friday\, April 27\, 2018\nPurchase your $10 tickets Now! On-line from The Martin Hotel Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca.\n \nWe met Thomas Deakin  in March of 2016 when he appeared at the Martin as part of the wonderfully odd duo Deakin Hicks\, with his buddy and mystical music man Lucas Hicks. We had a very small audience that night that experienced this Chromatic Button Accordion and Clarinet duo perform “original compositions and improvisations twisted together in a unique blend of tone\, time\, and delight”. Do check it out. They sat down on two five gallon plastic buckets\, we drew the seats of up close\, and we all enjoyed one of the best and most unusual concerts ever featured at the Martin. Sadly Lucas Hicks lost his 14 year battle against cancer last October\, Thomas lost his musical partner\, and Deakin Hicks was lost to the world. \nThomas Deakin has now joined up with New Orleans based avant-garde jazz keyboardist and singer Stephanie Nilles and we suspect that something highly interesting is going to happen when this duo hits the back room at the Martin.  Just give this video a listen\, and imagine Mr. Deakin’s clarinet\, saxophone\, or trumpet\, wrapped in and around Ms. Nilles in place of the bass. \n \nChicago-born jazz/punk/barrelhouse musician Stephanie Nilles has been doin’ Kesey proud one bar at a time since 2008\, hustling around the United States\, Europe\, and Canada (except from 2009-2010 for legal reasons)\, averaging 150 gigs a year\, and captivating unsuspecting listeners with a voice that would make Jelly Roll Morton look orthodox and Ma Rainey look sober. \nHaving studied piano and cello since the age of six\, she was a finalist at the Young Concert Artists’ International Competition\, a gold medalist at the Fischoff Competition\, and had performed on NPR on three occasions by the age of seventeen. At twenty-two\, she had graduated from the Cleveland Institute of Music with a degree in classical piano performance and temporarily relocated to New York City\, where she began writing songs and performed regularly on the east village anti-folk scene while making a living working odd jobs as a dog walker\, valet parking attendant\, Italian coffee bar barista\, ghostwriter\, and research assistant to a blind bioethicist at an all boys’ Jewish university. \nShe has since sung with Bobby McFerrin in Carnegie Hall\, directed the musical program of a Brooklyn burlesque series\, covered Busta Rhymes’ “Break Ya Neck” in the skeletal remains of a bombed-out cathedral in Nuremberg\, been invited to perform official showcases at SXSW and International Folk Alliance\, and self-released 5 full-length albums\, three of which were picked up for European release by German roots/blues label Tradition und Moderne (Taj Mahal\, John Fahey). \nWhen Stephanie’s not sleeping in her car\, she lives in New Orleans\, which might not be the best idea. \nHere are eight tracks from Stephanie Nilles: \n\n\nTune In! – Listen To Our Music
URL:https://gbae.org/event/stephanie-nilles-w-thomas-deakin/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2018/04/Steph-Tom-1.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180331T190000
DTEND;TZID=America/Los_Angeles:20180331T210000
DTSTAMP:20260503T075211
CREATED:20180306T192355Z
LAST-MODIFIED:20231001T234439Z
UID:3348-1522522800-1522530000@gbae.org
SUMMARY:Nell & Jim Band
DESCRIPTION:Unplugged Blend of Country\, Jazz\, Folk and Bluegrass\n7:00 PM\, Saturday\, March 31\, 2018\nPurchase your $15 tickets Now! On-line from The Martin Hotel Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca.\n \n  \nBlending country\, jazz\, folk\, and bluegrass music with a great lineup of musicians\, Nell Robinson & Jim Nunally’s Band brings original tunes and classic gems to Music at the Martin. They are old friends and we look forward to their return. Please join us. \n \nThe “beloved Bay Area bluegrass stars” (San Jose Mercury News) have been featured on Prairie Home Companion\, at Hardly Strictly Bluegrass Festival\, the PBS series Music Gone Public\, Kate Wolf Music Festival and Strawberry Music Festival. \n“Nell Robinson and Jim Nunally love the road\, and they revel in the adventure of uncovering new corners of this old world that people call home.” — NO DEPRESSION \nNell Robinson has been described as one of the freshest voices in roots music. Jim Nunally is a San Francisco Bay Area-native\, a musician\, composer\, record producer\, and teacher. Jim joins master American guitarists Doc Watson and Tony Rice as one of the finest interpreters and performers of bluegrass and traditional music. Jim Kerwin is considered simply one of the best string bass players in the country. Playing with David Grisman for over 30 years\, he is featured on all of Grisman’s Jerry Garcia recordings. Jon Arkin is a versatile\, gifted percussionist who is known for his performances & recorded work in a wide variety of musical contexts. He has performed with jazz greats such as Lee Konitz\, Gene Perla\, and Ira Sullivan. Renowned San Francisco musician and accordion player Rob Reich joined the band in 2017 and is best known for his work with Tin Hat\, Gaucho\, and Circus Bella. This is truly an all-star band!
URL:https://gbae.org/event/nell-jim-band/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2018/03/2018-Band-Nell-and-Jim-1.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180217T190000
DTEND;TZID=America/Los_Angeles:20180217T210000
DTSTAMP:20260503T075211
CREATED:20180206T192044Z
LAST-MODIFIED:20230127T060329Z
UID:3346-1518894000-1518901200@gbae.org
SUMMARY:Men of Worth!
DESCRIPTION:7:00 PM Saturday\, February 17\, 2018\nFROM SCOTLAND’S OUTER ISLANDS AND IRELAND’S WEST\, SOME OF AMERICA’S MOST AUTHENTIC MUSICAL HERITAGE IS COMING TO WINNEMUCCA. \n \nThe folk duo\, Men of Worth\, who position themselves firmly at the extreme\, traditional end of the Celtic music spectrum\, will perform at the Martin Hotel on Saturday\, February 17. \nMen of Worth’s tunes and songs are so authentic\, so closely connected to their heritage\, that Scotsman Donnie Macdonald sings some in his native Gaelic; while Irishman James Keigher includes time-polished pieces saved from the oral traditions of his native County Mayo. \n Purchase your tickets on-line from the Martin Hotel Tickets are also available at our walkup outlets. \n“Our music has its history in the crofting life of my Hebridean homeland and James’ western Ireland. It was a part of the fabric of everyday life and it came to America with the immigrants a century ago”\, explained Macdonald. “Now\, we’re playing it again\, to audiences for whom it could only be a generational memory”. \n“For us\, the irony is we were brought up in Scotland and Ireland\, and as boys we listened most eagerly to the music of America\, and not especially to the music of own areas. On our radios\, we heard Hank Williams Sr. and Jim Reeves. We wanted to see the Arkansas River\, not Loch Lomond\, and Reeves’ hometown of Carthage\, in east Texas\, had more romance for me than did the Isle of Lewis”. “Joni Mitchell\, Neil Young and Crosby\, Stills and Nash influenced me greatly”\, admitted Keigher\, who as a teen was already performing his own songs in the Irish pubs where he learned his wit and humor. “But now I have returned to my own musical bloodlines\, too.” \nThe pair could not escape the emotion and tradition of their homeland song heritage. “We could not grow away from those sounds”\, said Macdonald\, “so we have preserved them as accurately and authentically as we can\, in our performances”. “We entertain people with the real music of our regions; we have an ancient yet fresh musical story to tell”. \nSometimes that music comes from prosaic sources – Keigher wrote one song after overhearing two old ladies gossiping about him in a village market – and sometimes from traditional music passed down the generations. Several of Macdonald’s songs come from his mother’s own poetry and from Hebridean crofters’ airs. \nThe musicians\, who met in California in 1988\, each play a handful of instruments\, among them mandolin\, guitar\, concertina and bodhran\, a handheld drum. They are both married to Americans and live on the west coast. Keigher lives in Ashland\, Oregon and Macdonald lives near Sacramento\, California. \nThey have played concerts across the US\, from Alaska to Texas. They also take guided tours to their own musical roots: leading folk fans to the western isles of Scotland and to Ireland’s heartland to hear the real music of the isles in its own home. \nIf you can’t make that journey\, you can hear the music when these talented troubadours bring it to you\, February 17.
URL:https://gbae.org/event/men-of-worth-3/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2012/02/Men-of-Worth560.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180131T190000
DTEND;TZID=America/Los_Angeles:20180131T210000
DTSTAMP:20260503T075211
CREATED:20180120T183736Z
LAST-MODIFIED:20230127T060501Z
UID:3075-1517425200-1517432400@gbae.org
SUMMARY:Caleb Klauder's Country Band
DESCRIPTION:Easy Rollin’ Old-Time Country\n7:00 PM\, Wednesday\, January 31\, 2018\nPurchase your tickets Now! On-line from The Martin Hotel Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca.\n \nThe Caleb Klauder Country Band represents the best of the Northwest music scene. Caleb has been touring nationally and internationally for over 15 years and has been involved with some of the region’s most iconic bands\, such as Calobo and The Foghorn Stringband. \nToday\, leading with vocals\, guitar\, and a mandolin\, Caleb hosts some of the northwest’s best singers and players creating a honky-tonk band that stands out as a totem in the country music scene. The band performs Caleb’s praised original songs right alongside classics from George Jones\, The Louvin Brothers and Dolly\nParton\, all at once sounding timeless\, fresh\, and alive. There is a drive to his music that makes it unique and captivating. This is country music made for people who want to have fun and who want to dance\, harkening back to the old dance hall days when people of all walks of life came together to simply dance\, socialize\, and enjoy\nlive music. \nBand members include Jesse Emerson on upright bass\, Ned Folkerth on drums\, Reeb Willms on vocals and guitar\, Russ Blake on pedal steel and electric guitar\, and Sam Weiss on fiddle\, all of whom contribute to the vibrant northwest music\nscene in various other bands. Raised on Orcas Island\, Washington and now living in Portland\, Oregon\, Caleb is a true north westerner\, yet his maternal family roots lay in East Tennessee. His mother\, originally from Knoxville\, moved her family out west when Caleb was only a year old. These deep family roots contribute to Caleb?s music\, tapping into old memories to bring you the strong singing and spirited attitude that give his music an edge that is both cutting and sweet.
URL:https://gbae.org/event/caleb-klauders-country-band/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2008/08/CKCBbw250.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171227T190000
DTEND;TZID=America/Los_Angeles:20171227T210000
DTSTAMP:20260503T075211
CREATED:20171221T220646Z
LAST-MODIFIED:20231001T234626Z
UID:3063-1514401200-1514408400@gbae.org
SUMMARY:The River Arkansas
DESCRIPTION: \n\n7:00 PM Wednesday\, December 27\, 2017\nThe $15.00 seats are on sale now online atthemartinhotel.com.  Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca. \n \nWe’re excited to host Colorado’s The River Arkansas for a show at the Martin Hotel two days after Christmas.  They are just starting a West Coast tour and we’ll be the second stop\, they play the first night in Park City. \nThe River Arkansas is a five piece Americana/Roots & Folk/Country ensemble comprised of guitar/banjo/harmonica\, upright bass\, violin\, piano/pump organ\, drums and group/harmony vocals. They have two self-released albums out\, with a third due to be released in the spring of 2018. \nFronted by Mike Clark\, and performing his original tunes\, the band delivers a mixture of heartfelt country\, blues\, folk\, and Americana\, inspired by the river that flows by his house in Pueblo\, Colorado.
URL:https://gbae.org/event/the-river-arkansas/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2008/08/theriverarkansas250px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171202T190000
DTEND;TZID=America/Los_Angeles:20171202T210000
DTSTAMP:20260503T075211
CREATED:20171016T060504Z
LAST-MODIFIED:20230127T060809Z
UID:3042-1512241200-1512248400@gbae.org
SUMMARY:Caleb Klauder & Reeb Willms
DESCRIPTION:7:00 PM Saturday\, December 2\, 2017\nThe $15.00 seats are on sale now online at themartinhotel.com.  Tickets are also available at our walkup outlets\, The Martin Hotel\, Nature’s Corner and Global Coffee in Winnemucca. \n \n  \nCaleb Klauder and Reeb Willms form a powerful vocally-driven duo whose sound is lifted by Caleb’s distinctive and lyrical mandolin playing\, (he even picks up the fiddle from time to time) and driven by Reeb’s unwavering guitar playing. They perform original songs and tunes as well as their favorite old gems from traditional and country repertoires. Both originally hail from Washington State: Caleb from Orcas Island\, and Reeb from the Waterville Plateau. They met at the Weiser National Old Time Fiddle Contest\, and after singing a few songs together\, knew that they had to keep doing just that. \nThey tour regionally and internationally bringing a pure and honest sound to both the Foghorn Stringband and the Caleb Klauder Band. Your ears will be ready for the timeless music that these two deliver\, rooted in the essence of American roots while bestowing a few new chestnuts to the canon. They have been featured on NPR Music\, A Prairie Home Companion\, and their albums get played on radio stations around the globe. \n\nHere is a three song playlist. \nWe just found the first pair\, circa 2012\, Caleb and Reeb have only recently teamed up\, and these performances are stunning.   They feature Caleb’s masterful mandolin playing along with Reeb’s rock solid rhythm guitar\, then Reeb sings a haunting solo. \nThe third tune is more recent\, from the Pumphouse Session at Pickathon.   Have a look and listen. \n  \n \n\n 
URL:https://gbae.org/event/caleb-klauder-reeb-willms/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2017/10/Reeb_Caleb_Post.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171017T190000
DTEND;TZID=America/Los_Angeles:20171017T210000
DTSTAMP:20260503T075211
CREATED:20170927T211810Z
LAST-MODIFIED:20230127T063737Z
UID:3020-1508266800-1508274000@gbae.org
SUMMARY:T Sisters
DESCRIPTION:“Sassy Sister Folk – Beautiful Voices and Wonderful Harmonies”\nFriday\, October 13\, 2017\n7:00 PM at the Martin Hotel \nPurchase your $15 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\n \nThe T Sisters are an Oakland\, mostly acoustic\, Americana sextet built around the vocal harmonies of sisters Erika\, Rachel and Chloe Tietjen. With one foot steeped in old-time bluegrass tradition and the other stepping forward\, blazing their own stylistic path. \nThe T Sisters\, born and raised in California and now based in the creative hub of Oakland\, embody harmony. It’s in their blood\, bones\, and history. Erika\, Rachel and Chloe have been singing and writing music together since childhood\, and the lifetime of practice shows. \nThe three sisters’ inventive songwriting is supported by their own acoustic instrumentation as well as upright bass (Steve Height)\, mandolin/guitar (Andrew Allen Fahlander)\, and drums (Marlon Aldana). Their sound represents a continuum of music\, from traditional to pop influences\, moments of breathtaking a cappella to swells of energetic indie Americana. \nIn the last two years\, they’ve been honored to support such acts as Amos Lee\, The Wood Brothers\, Todd Rundgren\, The Waybacks\, Laurie Lewis\, ALO\, Elephant Revival\, The California Honeydrops\, and more. Notable performances include Merlefest\, Kate Wolf Music Festival\, High Sierra Music Festival\, Hardly Strictly Bluegrass (support role)\, Sisters Folk Festival\, Strawberry Music Festival\, Americana Music Association Festival\, Music City Roots\, and Garrison Keillor’s ‘A Prairie Home Companion’. \nFollowing their 2014 debut album Kindred Lines (produced by folk/bluegrass legend Laurie Lewis)\, the T Sisters released their self-titled full-length album in October of 2016. T Sisters has already received extensive airplay leading to a top position in the Roots Music Reports and continues to climb in the Americana Charts.
URL:https://gbae.org/event/t-sisters/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2017/09/TSistersSiding560.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160930T190000
DTEND;TZID=America/Los_Angeles:20160930T210000
DTSTAMP:20260503T075211
CREATED:20160923T234647Z
LAST-MODIFIED:20230127T064035Z
UID:2977-1475262000-1475269200@gbae.org
SUMMARY:Dead Winter Carpenters
DESCRIPTION:Ever Evolving Original Americana Roots Rock and Alt County (mostly)\n7:00 PM Friday\, September 30\, 2016\nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n \nAn entry from a tattered journal found on the shores of Lake Tahoe… \n“According to local lore\, tucked deep in the snow blanketed Sierra Nevada mountains\, rests a cabin secluded from the masses. After days of searching the shores of Lake Tahoe\, I find a path of footsteps in the snow that winds through the moss laden trees of the forest. After hours trudging through knee-deep snow\, I find myself gazing up a cabin where smoke is billowing from the chimney. To learn of what is inside\, I crawl up to the window. As I wipe away the snow for a closer look\, I find the crew consumed by their cause of crafting melodies and songs that warms the entire cabin. Here lies the heart and soul of Dead Winter Carpenters…” \n \n  \nIn a time when music has been transformed and genre lines are left behind like the seasons\, Dead Winter Carpenters are producing an ever-evolving style of music. The time spent\, both in the studio in the woods and criss-crossing the American countryside\, has provided Dead Winter Carpenters with a sound that blends Americana roots-rock with a tinge of straightforward ‘tell-it-like-it-is’ Alt. Country that is as hard-hitting as it is whimsical. While the roadsigns and towns pass by the windows on down the highway of tour\, DWC are writing original material based on their life experiences. \nHailing from North Lake Tahoe\, CA\, Dead Winter Carpenters blends Americana roots-rock with a tinge of straightforward ‘tell-it-like-it-is’ Alt. Country to bring hard-hitting performances that are as edgy as they are whimsical. The band pushes and pulls at musical boundaries with top-notch\, live performances while walking the line with unexpected musical flair. With an unbridled spirit\, and an authentic approach to the art of songwriting\, the experience of an evening with Dead Winter Carpenters epitomizes what live music is all about. \n“For a band that cites the Fibonacci Sequence as an inspiration for its moniker\, the devastatingly original sounds of North Lake Tahoe’s The Dead Winter Carpenters are completely accessible.” -Good Times Weekly: Santa Cruz\, CA \nHighlighted by vocal melodies and five part harmonies\, the ferocious fluidity of the fiddle\, deep pounding thump and thud of the upright bass\, country ramblings of the telecaster and acoustic guitars\, and the driving drums all meld together to create an experience that is sure leave you grinning from ear to ear. \n“The quintet blends classic elements of roots and country music with choice influences from throughout rock history\, including the Rolling Stones\, Neil Young and Townes Van Zant\, that elevate them above your average new grass hybrid.” -Seven Days: Burlington\, VT \nThe five-piece outfit is: \n-fiddler/vocalist – Jenni Charles\n-upright bassist/vocalist – Dave Lockhart\n-guitarist/vocalist – Jesse Dunn\n-guitarist/vocalist – Bryan Daines\n-drummer/vocalist – Brian Huston
URL:https://gbae.org/event/dead-winter-carpenters-3/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2014/01/DWC_by-Ryan-Salm_560PX.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160915T190000
DTEND;TZID=America/Los_Angeles:20160915T210000
DTSTAMP:20260503T075211
CREATED:20160901T190020Z
LAST-MODIFIED:20230127T064223Z
UID:2964-1473966000-1473973200@gbae.org
SUMMARY:Moreland & Arbuckle
DESCRIPTION:“Deeply satisfying…gritty soul and blues with garage overtones and fire-and-brimstone vocals” –Living Blues\nThursday\, September 15\, 2016\n7:00 PM at the Martin Hotel\nPurchase your $15 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\n  \n \nGuitarist Aaron Moreland – co-founder of the groundbreaking Kansas-based trio Moreland & Arbuckle — describes their music as “gritty blues and roots rock from the heartland.” Moreland\, along with harmonicist/vocalist Dustin Arbuckle and drummer Kendall Newby\, electrify raw Delta and Mississippi Hill Country blues\, folk\, and traditional country with unrelenting punk rock energy washed in hard-hitting Southern soul. Their songs are expertly executed with musical muscle and fifth-gear urgency. When they perform more traditional blues\, they play with the same decisive command. With each of their six previous releases\, the band has grown musically and lyrically\, creating a signature sound while earning a large and loyal worldwide fan base. Their legendary raw and raucous live shows are played with wild abandon. The New York Post says Moreland & Arbuckle have “a raw juke joint exuberance with a dirt-under-the fingernails garage band attack.” \n \nGuitarist Aaron Moreland was born December 16\, 1974. He played in a number of garage bands while growing up and was influenced by punk music before having what he calls his “Son House moment.” Hearing the blues legend’s Death Letter Blues for the first time at age 22\, he changed course\, focusing his playing on nothing but acoustic blues for the next several years. Harmonicist /vocalist Dustin Arbuckle was born December 25\, 1981. He first discovered blues in his mid-teens and received what he refers to as “a calling. Getting into blues made me want to play music\,” he says. He played in blues-rock bands\, inspired by Little Walter and Sonny Boy Williamson\, while learning to sing with deep soul and honest authority. \nThe two met at an open mic session in their hometown of Wichita\, Kansas back in 2001 and they quickly bonded over their mutual love of blues. Less than a year later\, they joined forces\, their raw and energetic approach to the music melding perfectly. Soon after coming together\, Moreland and Arbuckle played both as an acoustic duo and as The King Snakes\, a four piece electric band. Keeping a bass player proved difficult\, and they soon found they made a better sound without one\, as Moreland kept the rhythm thumping on his guitar while Arbuckle took the music into overdrive with his harmonica and vocals. The band quickly became local heroes\, filling clubs beyond capacity. It wasn’t long before they started touring larger cities around the country\, earning new fans with every performance. \nMoreland & Arbuckle have grown from a fiery\, crowd-pleasing duo to a genre-smashing three-piece band. Together\, Moreland’s simultaneous bass\, rhythm and lead guitar work and Arbuckle’s emotionally-charged harmonica and edgy vocals — now driven by Kendall Newby’s propulsive drumming — create a sound that is forceful enough to grab a listener’s attention and nuanced enough to hold it. American Songwriter says the group’s music is “swampy\, sweaty and muggy….mixing a bluesy foundation with bits of country\, folk and squawking American rock and roll.”
URL:https://gbae.org/event/moreland-arbuckle/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/png:https://gbae.org/wp-content/uploads/2016/09/MorelandArbuckle5602byGavinPeters.png
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160812T190000
DTEND;TZID=America/Los_Angeles:20160812T210000
DTSTAMP:20260503T075211
CREATED:20170715T045801Z
LAST-MODIFIED:20230127T063919Z
UID:2988-1471028400-1471035600@gbae.org
SUMMARY:3hattrio
DESCRIPTION:“A Weird Aggregation of Old Time\nAmericana\, Chamber Music\, and Jazz”\nSaturday\, August 12\, 2016\n7:00 PM at the Martin Hotel \nPurchase your $15 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\n\n3hattrio (three hat trio) plays American Desert Music. Their aim is to create a new music which responds to the natural world of their sacred homeland near Zion National Park in southern Utah. They also strive to acknowledge the cultural traditions of generations of people who have worked and lived on the deserts of the American southwest. The subject matter of the songs is often desert oriented\, sometimes not. Mostly\, they express the desert experientially from a daily-ness of watching light off distant mesas and hearing the way sound plays off sheer sandstone cliffs. Then they play music. They don’t over-think it. The music is spacious\, atmospheric\, mirage-like\, spiced with old-time cowboy\, classical\, jazz\, and Caribbean overtones. \nHal Cannon sings\, plays banjo and guitar and writes many of the 3hattrio songs. He’s been a practicing musician most of his life but also takes pride in his life as a folklorist\, radio producer and scholar of cowboy lore. \nGreg Istock plays acoustic bass and foot percussion. He has a Caribbean music background and is an active visual artist. \nEli Wrankle is a classically trained violinist and a student at Southern Utah University. He comes from a family of artists and joined the group when he was fifteen. Now twenty\, he is the old soul of the group. \n3hattrio made their European debut at Celtic Connections in 2017 to outstanding reviews. This Glasgow Scotland festival is the largest winter music festival in the world. They have been featured at the National Cowboy Poetry Gathering\, the Moab Folk Festival and with original music and dance for Repertory Dance Theater. Mostly they play at home for their dogs and the occasional lizard\, spider or Red Tailed Hawk. \nThis 8 minute documentary tells who the 3hattrio are\, what they do and shows them in performance. \n \n 
URL:https://gbae.org/event/3hattrio/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2017/07/3-hat-trio-560px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160812T190000
DTEND;TZID=America/Los_Angeles:20160812T210000
DTSTAMP:20260503T075211
CREATED:20160804T195412Z
LAST-MODIFIED:20230127T064344Z
UID:2949-1471028400-1471035600@gbae.org
SUMMARY:John Reischman and the Jaybirds
DESCRIPTION:Friday\, August 12\, 2016\n7:00 PM at the Martin Hotel\nPurchase your $20 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\n \nWith a fourth critically-acclaimed album and expanded touring schedule\, John Reischman and the Jaybirds are a top-flight band delivering a truly fresh blend of original songs and instrumentals\, old-time heritage\, and bluegrass power. \nFeaturing nine new songs and tunes from all five founding band members\, Stellar Jays is the latest in a series of CDs to win rave reviews for a trademark\, old-time-infused bluegrass sound that respects tradition while advancing the music. The nomination of Stellar Jays for two 2007 Canadian Folk Music Awards follows praise such as this from Nashville Public Radio: “A masterpiece — a fascinating and fresh-sounding collection of tunes that incorporate the best elements of bluegrass and old-time into a killer new sound.” \n“On the evidence of Stellar Jays\, John Reischman and the Jaybirds are in their prime as contemporary bluegrass musicians capable of maintaining and extending the music’s legacy\,” says Billboard.com. Bluegrass Unlimited magazine describes tone-master and composer John as “one of the world’s undisputed masters” of the mandolin\, a frequent accolade since his days with the Tony Rice Unit and California’s Good Ol’ Persons. John went on to record two outstanding solo albums and numerous sessions before forming the Jaybirds in 2001 to release a self-titled debut album\, followed by the Canadian Juno-nominated Field Guide\, and in 2005\, The Road West. \n“Though Reischman is the leader and front man\, he gives each of them plenty of room to shine\, and together they produce music that is seamlessly excellent and rewarding\,” Sing Out! magazine says of the superb West Coast ensemble led by John from Vancouver\, B.C. “The folks he’s playing with are neck and neck with him all the way\,” Victory Review magazine says of the original line-up: John on mandolin\, Jim Nunally on guitar\, Trisha Gagnon on bass\, Nick Hornbuckle on banjo\, and Greg Spatz on fiddle. \nJim is a San Francisco Bay-area veteran of several decades as a leading guitarist\, songwriter and high\, lonesome singer. Jim appeared with John on the Grammy-winning CD True Life Blues\, The Songs of Bill Monroe\, is a producer and session stalwart\, and plays select dates with David Grisman. Audiophile Audition describes Jim as “one of the best bluegrass tenors working today\,” with equally impressive speed\, clarity and tone as a guitar man. \nChilliwack\, B.C.-based Trisha is portrayed by SingOut! as “one of the most versatile” and “irresistible” vocalists in bluegrass\, her strong and distinctive style ranging from “mournful and plaintive” to “hopeful and yearning.” Trisha anchors what Dirty Linen magazine calls “gorgeous three-part harmonies” and her singing and heart-felt songwriting is complemented by her right-on-the-money bass rhythm. \nNanaimo\, B.C.-based Nick has developed his own voice on the five-string banjo\, a unique sound with a two-finger roll unlike other contemporary banjo players. “Nick Hornbuckle’s banjo can be downright spine-tingling\,” wrote the L.A. Daily News. “The resonant yet lively Cleo Belle is just right\,” Bluegrass Now says of the prolific instrumental composer’s\, original Stellar Jays offering. \nSpokane\, WA-based Greg is hailed as a “world-class bluegrass fiddler” by Fiddler magazine. Another Stellar Jays instrumental composer with the lightning-fast Bash Bish Falls\, Greg’s “virtuosic playing is flawlessly delivered time after time\,” praises Audiophile Audition. His wide-ranging chops have made him a popular West Coast player for years\, including stints with the legendary Frank Wakefield\, and resophonic guitarist Rob Ickes. \nAs FolkWax says\, John Reischman and the Jaybirds offer “clarity\, energy\, good ensemble work\, classy originals\, and an adventurous approach” to the world of bluegrass and folk music — along with engaging stage humour in powerful live shows. They are what SingOut! calls “a thoroughly professional ensemble with a rare ability to produce music that is simultaneously traditional and contemporary . . . the Jaybirds are a band that continues to hit on all cylinders.” \n  \n 
URL:https://gbae.org/event/john-reischman-and-the-jaybirds/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/png:https://gbae.org/wp-content/uploads/2016/08/John_Resichman_Jaybirds.png
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160802T190000
DTEND;TZID=America/Los_Angeles:20160802T210000
DTSTAMP:20260503T075211
CREATED:20160725T185210Z
LAST-MODIFIED:20230127T064912Z
UID:2936-1470164400-1470171600@gbae.org
SUMMARY:I Draw Slow
DESCRIPTION:CAPTIVATING AMERICANA FROM THE EMERALD ISLE\nTuesday\, August 2\, 2016\n7:00 PM at the Martin Hotel\nPurchase your $10 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\n \n“I Draw Slow are one of the most beguiling and singular acts currently on the circuit.” –  Irish Independent \n“Captivating”\, “achingly beautiful”\, “polished and gutsy”\, “spine tingling harmonies” and “heart-melting vocals” are just a few of the terms the press has used to describe the music produced by this great band from Dublin\, Ireland.  I Draw Slow performs many self penned songs as well as a full repertoire of traditional tunes from Ireland and Appalachia. They have been on an extensive tour of the U.S. including performing at Merlefest\, Rockygrass and the Pickathon music festivals.  We have the good luck to see them here in Winnemucca as they work their way to the Sister’s Folk Festival and for a return to Pickathon. \nThis Dublin\, Ireland\, roots band has been garnering praise around the globe since the release of their Top 10 selling album Redhills in 2012. Now their new album\, White Wave Chapel\, is all the buzz at home and overseas with their unique sound\, bringing together Irish tradition with modern Americana while staying rooted in the old-time style of Appalachia. Their impact abroad is redrawing the map for these Irish/Americana songwriters. \nThe UK press describes\, I Draw Slow as “American top league equivalents” destined “to blow the opposition away\,” drawing favorable comparisons with Gillian Welch and Alison Krauss. The band has played to audiences in the UK\, Germany\, Denmark\, Belgium\, performed with the legendary Béla Fleck and the Flecktones\, and made an appearance at the Celtic Connections Festival in Glasgow\, Scotland. \nTheir name\, I Draw Slow\, is said to be the result of their efforts to find a name that was a complete sentence\, and that contains a little story\, and a mystery.  “If you are in a duel\, and you draw slow\, you are the one that is going to die”. \n \n  \n  \n 
URL:https://gbae.org/event/i-draw-slow/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2016/07/I-Draw-Slow-560px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160709T190000
DTEND;TZID=America/Los_Angeles:20160709T210000
DTSTAMP:20260503T075211
CREATED:20160701T182448Z
LAST-MODIFIED:20230127T065222Z
UID:2929-1468090800-1468098000@gbae.org
SUMMARY:Roy Book Binder
DESCRIPTION:Blues Guitar Legend Returns to the Martin\n7:00 PM\, Saturday\, July 9\, 2016\nThe $10.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \nRoy Book Binder at the Martin 2008\nThe great Roy Book Binder is set to play a concert at the Martin Hotel on Saturday\, July 9. Something of a national treasure\, Book Binder plays blues in the Piedmont style\, a very old East Coast tradition based on ragtime and multi-part gospel guitar techniques. \nBesides being a musical giant with unexceeded technique\, Book Binder is known as a crowd-pleasing entertainer with deft comic timing\, an encyclopedic knowledge of American roots music history\, and an inexhaustible supply of tales collected over a lifetime of traveling and performing with greats like Brownie McGhee\, Sonny Terry\, Rock Bottom\, Fats Kaplin\, Doc Watson\, Bonnie Raitt\, and Ray Charles. \nBook Binder emerged alongside pal Dave van Ronk in the New York City coffeehouse scene of the mid-60s\, the beginning of the so-called “folk revival.” And\, his repertoire includes “Bookaroo” songs\, played in a folk style reminiscent of Rambling Jack Elliot\, and Don Edwards. \nBook Binder’s real bailiwick\, though\, is blues in the East Coast or “Piedmont” style\, named for the plateau that stretches from Richmond\, Virginia to Atlanta\, Georgia. The style evolved in the 20s\, 30s\, and 40s\, when ragtime\, parlor\, and gospel guitar players like Blind Blake\, Blind Boy Fuller\, and Reverend Gary Davis began applying polyphonic finger-picking technique to the blues. Book Binder perfected his Piedmont technique as Davis’s protégé\, working as the blind virtuoso’s driver and side-man during the late 1960s. \nBook Binder has recorded eight albums\, most in a “hillbilly” blues style that includes plenty of colorful banter between the tracks. Often\, the stories and jokes stretch back to Book Binder’s formative years on the road with the Reverend Davis. Though based on old-time techniques\, his songs sound fresh and relevant\, often featuring original lyrics re-spun to reflect contemporary themes. \nBook Binder continues to perform solo shows around the world\, the last time we saw him he was about to leave for the Blues Festival in Hell Norway where he appeared along with Ramblin’ Jack and many other greats. He also teaches at MerleFest and the Fur Peace School\, and keeps an entertaining travel “blog” on his website\, RoyBookBinder.com. \nSo\, if you’re in town over the weekend\, don’t miss the chance to see one of the great bluesmen of all time\, up close and personal\, right here in Winnemucca. The show starts at 7 PM on Saturday\, July 9\, at the Martin Hotel on Railroad Street.
URL:https://gbae.org/event/roy-book-binder-2/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2010/07/Bookbinder-Winnemucca-2008.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160618T190000
DTEND;TZID=America/Los_Angeles:20160618T210000
DTSTAMP:20260503T075211
CREATED:20160609T203345Z
LAST-MODIFIED:20230127T065359Z
UID:2901-1466276400-1466283600@gbae.org
SUMMARY:Nell Robinson & Jim Nunally Band
DESCRIPTION:Saturday\, June 18\, 2016\n7:00 PM at the Martin Hotel\nPurchase your $15 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\nThe Nell Robinson & Jim Nunally Band brings five genre-busting artists together to bring joyful music infused with folk\, bluegrass\, americana\, roots\, swing\, jazz\, and the blues. Alt-Roots\, Folkbilly – whatever you call it – it’s original\, well done\, and a pleasure to hear. Featuring Pete Grant on pedal steel\, Jim Kerwin on bass fiddle and Jon Arkin on percussion. This is truly an all-star band. \n \nThe Nell Robinson & Jim Nunally Band released their new EP West in Berkeley CA on April 30th. West is the first of a four-part\, five-song EP series named after one of the four cardinal points on a compass – North\, South\, East\, and West – and a U.S. tour date will coincide with the appropriate region throughout 2016. East will be released with a special show in Washington D.C. at the end of June. When placed together\, the back covers of the four releases will form one piece of art. Physical copies will be available for purchase for only $5 at all live shows\, and digital versions will be available for purchase on iTunes and Amazon starting this June. \n“We are excited about releasing a series of eclectic new works with a super talented band\,” said Jim Nunally. “We pay homage to great artists like George Jones\, Buck Owens\, Tammy Wynette\, while our original songs like ‘Mirror’ take folk music in an entirely new direction. We aren’t just following a path; we are paving a new one.” \n“Hey\, five is the magic number this year\, it’s a number that signifies change and grace\,” added Nell Robinson. “Five songs per album for $5\, five jazzed musicians … and I turn 55 this spring!” \nNell Robinson has been described as a “modern day Patsy Cline” and “one of the freshest voices in roots music.” Her side-projects\, from the poignancy of Soldier Stories to the whimsy of The Henriettas\, further attest to the breadth and ambition of the youthful musical passions she let flower. Robinson’s 2014 release “The Rose of No-Man’s Land became a PBS Special with it’s own episode in the Music Gone Public series. The abum\, produced by Joe Henry\, featured Ramblin’ Jack Elliott\, Kris Kristofferson\, John Doe and Maxine Hong Kingston. “Music is the ultimate communication tool and Nell’s songs\, performance and album moved the WoodSongs audience deeply! A fine person and a fine artist\, ’nuff said.”- Michael Johnathon\, Woodsongs Old-Time Radio Hour. \n  \nJim Nunally is a San Francisco Bay Area-native\, a musician\, composer\, record producer\, and teacher. As a guitarist and vocalist with the David Grisman Bluegrass Experience for over 13 years\, Jim joins master American guitarists Doc Watson and Tony Rice as one of the finest interpreters and performers of bluegrass and traditional music. He is a recipient of two Grammy and IBMA Awards and is a two-time Western Open Flatpicking Guitar champion. His work is featured on soundtracks for The Beverly Hillbillies Movie\, Snoopy’s Reunion\, The Sims\, Streets of SimCity and more. His third-generation traditional music roots began in Arkansas with his guitar-playing grandfather who taught Jim’s father\, who in turn taught Jim. This pedigree contributes to his unmistakably traditional sound. \n  \nPete Grant’s resume looks like a who’s who of music! He started playing banjo\, guitar\, and dobro in the early sixties in the San Francisco Bay Area. Sharing musical adventures with his friends Jerry Garcia\, Jorma Kaukonen\, Pat Simmons\, and others\, he has performed solo\, in duos\, and his own groups. The Grateful Dead album Aoxomoxoa was his first studio recording\, from there he went on to become one of the most sought after steel players on the West Coast. Touring in Japan with Guy Clark\, he played on Clark’s second release\, Texas Cookin’. Grant is a two-time nominee for Best Steel Guitarist by the Academy of Country Music. \n  \nJim Kerwin is considered simply one of the best string bass players in the country. He has played with David Grisman for over 30 years and is featured on all of Grisman’s Jerry Garcia recordings\, all of which boast a unique acoustic setting\, encompassing a myriad of musical genres. A San Francisco State University graduate with a performance degree in solo double bass\, he spent several years touring Europe with an avant-garde jazz trio led by vibist Larry Blackshere. He has performed with bluegrass greats Red Allen and Del McCoury and has played at Carnegie Hall with Stephane Grappelli and YoYo Ma. Kerwin is featured on numerous recordings – including six Grammy nominees – from big band and bluegrass to jazz and latin. \n  \nJon Arkin is a versatile\, gifted drummer/percussionist who is known for his performances & recorded work in a wide variety of musical contexts. In addition to leading his own groups\, he has performed with jazz greats such as Lee Konitz\, Gene Perla\, and Ira Sullivan\, with singer-songwriters including Stew and Meklit Hadero\, Afrobeat bands Albino and Soji Odukogbe\, a multitude of collaborators in the experimental music world\, and countless other artists. He has just released an album of original experimental jazz with the Schimscheimer Family Trio entitled “Broken Home”\, and has developed a unique repertoire as a solo electro-acoustic percussionist. Could his bluegrass groove have come from his father? Steve Arkin played banjo with Bill Monroe and His Bluegrass Boys!
URL:https://gbae.org/event/robinson_nunally_band/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2008/08/Nell-Robinson-and-Jim-Nunally-Band_by-Dix-Bruce250px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160429T190000
DTEND;TZID=America/Los_Angeles:20160429T210000
DTSTAMP:20260503T075211
CREATED:20160412T233816Z
LAST-MODIFIED:20230127T065644Z
UID:2881-1461956400-1461963600@gbae.org
SUMMARY:Old West Trio
DESCRIPTION:Cowboy classics performing on TWO nights in Winnemucca.\n \n  \n7:00 PM Friday\, April 29\, 2016\nat Shooting the West – Nevada’s Photography Experience\n$15 Tickets for that event here\n(this show at the Winnemucca Convention Center)\n7:00 PM Saturday\, April 30\, 2016\nMusic at the Martin Hotel\nPresented by Great Basin A&E\n$15 Tickets on the Martin Hotel’s Website\n  \n  \n  \nThe $15.00 tickets for Music at the Martin are also on sale at our walkup outlets\, Nature’s Corner\, Global Coffee\, and The Martin Hotel. \nFrom classic Sons of the Pioneers and Gene Autry tunes to contemporary Ian Tyson and Tom Russel masterpieces\, the Old West Trio delivers folk harmony and Smother’s Brothers style humor. \nPresenting spot on renditions of some of the greatest western tunes of all time\, the Old West Trio take the stage at the Martin Hotel on April 30. \nThis dynamic group balances silver-screen harmonies and newly minted cowboy classics with a dose of humor. The trio earned the Will Rogers Award for 2011 Best Western Music Duo/Group of the Year (Academy of Western Artists). Members are Steve Ide (rhythm guitar)\, Leslie Ide (upright bass)\, and Steve Johnson (lead guitar). \n \n  \n 
URL:https://gbae.org/event/oldwesttrio/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2014/08/oldwesttrio260px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160316T190000
DTEND;TZID=America/Los_Angeles:20160316T210000
DTSTAMP:20260503T075211
CREATED:20160205T200028Z
LAST-MODIFIED:20230127T070132Z
UID:2833-1458154800-1458162000@gbae.org
SUMMARY:Deakin Hicks
DESCRIPTION:Accordion and Clarinet\, together again for the very first time.\nWednesday\, March 16\, 2016\n7:00 PM at The Martin Hotel\nThe $10.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \nDeakin Hicks\nDeakin Hicks is the Bellingham based Chromatic Button Accordion and Clarinet duo of Lucas Hicks and Thomas Deakin.  Original compositions and improvisations twist together in a unique blend of tone\, time\, and delight.  Happy to appear in venues or street corners from Bellingham to the Basque Territories\, Deakin Hicks is something odd\, pleasant\, and completely handmade.
URL:https://gbae.org/event/deakin-hicks/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2016/02/Deakin_Hicks_560px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160312T190000
DTEND;TZID=America/Los_Angeles:20160312T210000
DTSTAMP:20260503T075211
CREATED:20160205T014710Z
LAST-MODIFIED:20230127T070442Z
UID:2803-1457809200-1457816400@gbae.org
SUMMARY:Dave Stamey
DESCRIPTION:Great original songs and stories of the American West\nSaturday\, March 12\, 2016\n7:00 PM at the Martin Hotel\n \nDave Stamey has been bucked off and stomped by many horses. He has been stepped on by mules and dragged around branding pens by cattle of many sizes. He’s ridden in the rain\, in the snow\, in the rain some more\, in pretty nasty heat\, and in feedlot pens where the air was thick and decidedly fragrant. He’s even wrangled dudes. \nHe is an entertainer now\, and makes his living inflicting himself upon innocent people at music festivals\, agricultural banquets and backyard barbecues. He finds he prefers this. He has been voted Entertainer of the Year\, Male Performer of the Year and Songwriter of the Year by the Western Music Association\, and Male Vocalist of the Year by the Academy of Western Artists. \nCowboys and Indians Magazine has called him “the Charley Russell of Western Music.”  He’s delighted audiences in fourteen states\, and finds that he prefers this to being stomped by angry horses. \nHe lives in Nipomo\, California. He bets you don’t know where that is. \n 
URL:https://gbae.org/event/dave-stamey/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2016/02/dave-stamey.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160127T190000
DTEND;TZID=America/Los_Angeles:20160127T210000
DTSTAMP:20260503T075212
CREATED:20160401T162557Z
LAST-MODIFIED:20230128T030200Z
UID:2861-1453921200-1453928400@gbae.org
SUMMARY:Ned Evett
DESCRIPTION:The Glass Guitarist – A Master of the fretless glass necked guitar.\nJoin us for an evening of Americana\, country\, blues\, folk and rock music & acoustic glass guitar. \n7:00 PM Saturday\, April 9\, 2016 \nThe $10.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \nCurrently based in Boise Idaho\, Ned Evett is one of the world’s foremost fretless guitarists\, creating music that both celebrates and transcends the novelty of his instrument. \nBorn in Nashville Tennessee\, Ned started playing ukelele at age 11\, graduating to his first guitar at 15. At 16\, Ned got his first classical guitar and gave his first professional performance as a guitarist. \nNed won a college scholarship to study classical guitar\, but a Michael Hedges performance in 1986 changed the course of his life; he dropped out of college to pursue songwriting and electric guitar full time. He spent the next five years traveling across the US playing six nights a week with numerous bands. \nNew years eve 1990\, Ned had had enough of cover bands. He smashed his strat onstage and built his first fretless guitar from the neck which survived intact. He appeared with his fretless acoustic in the May 1993 issue of Fingerstyle Guitar Magazine\, then on record with Warner Brothers recording artists Built To Spill in 1994. \nPrior to his first European tour in 1997 backing Austin Singer/Songwriter Dirk Hamilton\, he switched to a glass fingerboard; in part to keep from wearing out numerous ebony fingerboards. Ned has used glass fingerboards ever since\, prompting the moniker ‘the glass guitarist’. \n \nNed has drawn a catalogue of critical acclaim from such major national publications as USA Today\, writing\, “Ned Evett is the perfectly sane\, and vastly entertaining master of the fretless glass-necked guitar.” \nHis touring history includes concerts performed in the United States\, Canada\, England\, Ireland\, Mexico\, and Australia as well as most of the countries in western Europe. \nIn 2003\, Ned entered and won the North American Rock Guitar Competition. In 2004 PBS Television broadcast the documentary “Driven To Play “\, a film about the event which aired in all US states and parts of Canada. \nFollowing the film’s premier\, Ned began a series of tours with artists such as Jonny Lang\, Eric Johnson\, and George Thorogood. From October 2010 through January 2011\, Ned embarked on a world tour with Grammy nominated artist Joe Satriani who says: \n“Ned Evett is a monster player/writer/performer. I’ve had him on tour as a solo act\, as well as with his different band lineups\, and he always puts on a great performance. He has a good time with the audience\, as he uses his unique personality to guide them through his music and his one-of-a-kind guitar style.” \nNed’s current sixth solo album\, “Treehouse” is a 14 song diary of love\, loss\, redemption\, and the future told in Ned’s mesmerizing voice\, accompanied by Ned’s trademark fretless mirrored glass and steel resonator\, the “Globro” and his glass-necked electrics. The album\, produced by legendary musician Adrian Belew\, was released on January 3\, 2012. \nThe highly personal material on the album evolved from a too common event in American life\, job loss and economic displacement. The cycle of events described on Treehouse is not an interpretation of hard times projected by a rich entertainer or writer\, but of first hand experience losing it all. \nHope abounds though\, and by the end of the album Ned picks up the pieces and goes on to the next exciting phase of life.
URL:https://gbae.org/event/ned-evett/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2016/03/ned_4.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160127T070000
DTEND;TZID=America/Los_Angeles:20160127T090000
DTSTAMP:20260503T075212
CREATED:20160114T235109Z
LAST-MODIFIED:20230127T070618Z
UID:2778-1453878000-1453885200@gbae.org
SUMMARY:Mike Beck
DESCRIPTION:Wednesday\, January 27\, 2016\n7:00 PM at the Martin Hotel\nPurchase your $10 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel\, Nature’s Corner\, and Global Coffee.\n\nIn these parts of the United States\, it’s not at all unusual to encounter singer songwriters performing odes to cowboy life. It’s a bit more unusual to come across those who sing from experience\, as Mike Beck does. \nA regular at the annual National Cowboy Poetry Gathering in Elko. Beck is renowned internationally for both his horsemanship and musical ability. Western Cowboy magazine has even placed two of his compositions on a list it titled “The 13 Best Cowboy Songs of All Time\,” putting him in the company of heroes such as Ian Tyson\, Lucinda Williams\, Tom Russell and Gene Autry\, the original singing cowboy. \n\nBeck’s sixth album\, TRIBUTE\, was created as a celebration of horses and their unique bond with humans. Its 11 cowboy themed Americana tracks range from folk balladry (“20 Bucks a Gallon”) to bluesier tunes and honky tonkers\, each imbued with the trail dust and vast vistas of his beloved American West. Beck’s signature Fender Bender shows up on the tracks “Don’t Hurt My Heart” and “Amanda Come Home\,” the latter one of two songs paying homage to military veterans. The other is a cover of Wilbert Harrison’s “Let’s Work Together\,” made famous by Canned Heat and Bryan Ferry. \nBeck’s guitar playing has earned him comparisons to Stephen Stills\, and praise from no less a legend than Woody Guthrie contemporary Ramblin’ Jack Elliott\, who says of Beck’s picking skills\, “Mike Beck plays the guitar like a Byrd. His strings do things that mine could never do. They obey the slightest finger touch commands like a fine reining horse.” \nBorn and raised in Monterey\, Calif.\, Beck attended the Monterey Pop Festival at 13 and liked what he heard\, so he picked up a guitar and never looked back. He honed his songwriting skills and warm\, engaging stage presence while riding the ranges of California\, Nevada and Montana as a working cowboy. Today\, he splits his non touring time between Monterey and Austin\, Texas\, sometimes performing with the Bohemian Saints\, his Byrds /Burrito Brothers/ Stones influenced guitar band. While on the road\, he also conducts horsemanship clinics\, using techniques he learned from Tom and Bill Dorrance\, Ray Hunt and others. \nBeck recently helped develop a groundbreaking horsemanship program for the Joyful Horse Project\, an Austin based non profit equine rescue group. Pairing combat veterans with horses undergoing rehabilitation from abuse or neglect\, the program helps both to heal. Beck is donating all proceeds from sales of TRIBUTE to this new program. \nVisit Mike online http://www.mikebeck.com
URL:https://gbae.org/event/mikebeck/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2015/01/MikeBeck-300px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151112T190000
DTEND;TZID=America/Los_Angeles:20151112T210000
DTSTAMP:20260503T075212
CREATED:20151106T063719Z
LAST-MODIFIED:20230127T070738Z
UID:2757-1447354800-1447362000@gbae.org
SUMMARY:Pert Near Sandstone
DESCRIPTION:Straight from the Polar Vortex of Minneapolis\nPERT NEAR SANDSTONE\nAmerican Stringband Music\, Old Time\, Bluegrass\n7:00 PM Thursday\, November 12\, 2015\nThe $10.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nTake old time music off the back porch\, throw out the hillbilly reputation\, and put it in the hands of a group of guys that like to work hard and play even harder. Pert Near Sandstone rejuvenates American stringband music with raw energy; they play tightly-crafted original material that lends itself to the modern audience\, as well as being stewards of the old-time and bluegrass traditions. They are just as at home playing fully acoustic in the traditional style as they are plugged in at an indie rock venue. From saloons to theaters\, hollering into a single microphone and laying thick rhythm on driving fiddle melodies\, their sweat-inducing\, foot-stomping live performances keep crowds begging for more all night long. \nPert Near Sandstone emerged from the same roots-based musical hotbed in Minneapolis that gave birth to Bob Dylan\, The Jayhawks and Spider John Koerner. Originally formed by four friends from the same hometown\, Pert Near Sandstone formed unintentionally over weekly\, whiskey-fueled picking sessions in an old house in St. Paul\, MN. They decided without any real intentions to start playing shows and the chemistry of their music and friendships\, even early on\, left people feeling like the party followed them everywhere they went. Word of the bands’ uncanny ability to whip audiences into frenzies spread and they were invited to play some of Minnesota’s most legendary venues including First Avenue\, the Cedar Cultural Center and the Historic Orpheum Theater. \nThe band has been taking their show across the country\, paying their dues in smoke filled taverns and roadside juke joints while organically building a dedicated following from coast-to-coast. Their formative years on the road painstakingly paved the Pert Near path as the band traversed from city-to-city winning over audiences “the old fashioned way”; face-to-face. Over the course of the next five years\, the band maintained a full touring schedule appearing at many national festivals and sharing the stage with many legendary musical talents; the likes of Del McCoury\, WILCO and Yonder Mountain Stringband. \nIn 2008\, Pert Near Sandstone was hand-picked by Garrison Keillor to appear as the featured musical guest on A Prairie Home Companion where Garrison proclaimed that\, “The group has become a force on the Minnesota roots music scene and beyond.” Fellow Minnesota speed-grass band Trampled by Turtles is proud to wave the Pert Near flag high and wide with band leader Dave Simonett calling Pert Near Sandstone one of his “favorite contemporary bluegrass acts in the United States.” \nWith previous appearances at Telluride Bluegrass Festival\, Prairie Home Companion\, Woodsongs Old-Time Radio Hour\, Music City Roots and the International Bluegrass Music Conference plus five well received full-length original records and a 7” single\, Pert Near Sandstone continues to build momentum. \nMembers: \nNate Sipe: Mandolin\, Fiddle\nKevin Kniebel: Banjo\nJ Lenz: Acoustic Guitar\nAdam Kiesling: Upright Bass\nAndy Lambert: Clogs & Washboard \n 
URL:https://gbae.org/event/pert-near-sandstone/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2015/11/APCH-Pert-Near-Sandstone-560px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151017T190000
DTEND;TZID=America/Los_Angeles:20151017T210000
DTSTAMP:20260503T075212
CREATED:20151001T001609Z
LAST-MODIFIED:20230127T070900Z
UID:2749-1445108400-1445115600@gbae.org
SUMMARY:Chuck Pyle
DESCRIPTION:The Zen Cowboy\nA virtuoso guitarist with a Will Rogers-like wit\n7:00 PM Saturday\, October 17\, 2015\nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n \nChuck Pyle has won high praise from both fans and peers alike throughout an inspired performance career of over 40 years. When reviewers first gave him the “Zen Cowboy” moniker\, he decided to\, as he says\, “Always ride the horse in the direction it’s going\,” and took the nickname to heart\, shaving his head and blending his upbeat perspective with old-fashioned horse sense. He mixes infectiously hummable melodies with straight-from-the-saddle poetry\, quoting bumper stickers\, proverbs\, world leaders and old cowboys. \nAn accomplished songwriter\, Chuck’s songs have been recorded by John Denver\, The Nitty Gritty Dirt Band and Suzy Bogguss. Country fans know him best for writing\, “Cadillac Cowboy”\, recorded by the late Chris LeDoux\, and “Jaded Lover”\, recorded by Jerry Jeff Walker. \nWhile fans love his recordings\, they adore Chuck’s live performance. The first time he made an audience laugh\, he was “hooked”. A nimble guitarist\, critics say his sense of rhythm is more like a fine classical\, or jazz\, soloist\, his songwriting musically sophisticated yet full of uncluttered space. The Chuck Pyle Finger-Style approach to guitar has distinguished him as a true original\, earning him invitations to teach at such prestigious events as The Puget Sound Guitar Workshop and The Swannanoa Gathering. His music has made him a favorite of Bill & Melinda Gates who have had him play at their home in Seattle. Since writing the theme-song for a PBS series called Spirit of Colorado\, he’s attained local fame\, and even sings for the opening session of the Colorado State Legislature. \nChuck Pyle came from Iowa in 1965 when\, “Boulder was mostly gravel streets”\, and resides on the front range of Colorado. He does 100 dates a year all across the country\, playing festivals and theaters\, coffeehouses and house concerts. \n \nHis 11th CD\, THE SPACES IN BETWEEN is twelve all-new songs\, each with finger-style guitar out front of a crackerjack rhythm section. The embellishments are elegant\, with everything from fiddle to uilleann pipes\, grand piano to ukulele; each song’s a hummable melody guaranteed to make you tap your inner feet. In the middle of the night\, Chuck began writing down the words to the CD’s opening song\, called Dream Song\, and the more awake he became\, the better it sounded. Picking Out My Outfit is about Man’s need to look casual\, Copper John is about the favorite nymph of fly-fisherman and Wide Open is about Wyoming’s bigness. The rest of the songs are classic Chuck Pyle truth-telling; one man’s outlook seen from a life-in-motion as he continues to gather traction and gravity.
URL:https://gbae.org/event/chuck-pyle-2/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2011/10/ChuckPyleHeader.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150925T190000
DTEND;TZID=America/Los_Angeles:20150925T210000
DTSTAMP:20260503T075212
CREATED:20150910T214555Z
LAST-MODIFIED:20230127T071014Z
UID:2730-1443207600-1443214800@gbae.org
SUMMARY:The Crooked Jades
DESCRIPTION:Familiar Old-Time Embraced by the Strange\n7:00 PM\, Friday\, September 25\, 2015\nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n \n“The Jades\, in other words\, aren’t playing your grandparents’ old-time music. Nor are they performing the stylized stringband music that our revivalist contemporaries adapted four or five decades ago and take to festival stages and recordings into the present moment. This is sepia tones\, bent angles\, unexpected accents\, unanticipated sounds. It’s banjo ukuleles\, minstrel banjos\, plucked fiddles\, bowed basses\, Hawaiian slide guitars\, harmoniums\, Vietnamese jaw harps\, pianos played clawhammer-style. It is the familiar embraced by the strange. It is the antique and the modern\, in a distinctly idiosyncratic meaning of each. This is a music that feels at once fiercely inside time yet also above and around it. And all of this is accomplished without a hint of rock\, electronica\, or the other flourishes to which less imaginative folk bands turn when they think they’ve exhausted the language of tradition. Tradition\, the Jades insist\, speaks in a host of tongues. If you know what you’re doing\, you can speak in as many as you’d like\, sometimes at once.” – Sing Out \nPerforming driving dance tunes and haunting ballads with an amazing array of vintage and eclectic instruments\, The Crooked Jades are modern innovators in the old-time Americana world\, creating a cinematic sound based on Americana roots infused with the diverse musical influences of Europe and Africa.On a mission to reinvent old world music\, they bring their soulful performances (brilliantly suprising arrangements of obscure old tunes mixed with beautiful original compositions) to clubs\, concert halls and festivals around the United States and Europe.\n\nBased in San Francisco\, founded by leader Jeff Kazor and nurtured by the vibrant West coast\, California and Bay Area bluegrass and old-time music scenes\, the Crooked Jades play with a thrilling and hyponotic energy which has inspired director Sean Penn to include a turn from World’s on Fire in his most recent film Into the Wild\, fans on their feet dancing and critics comparing them to everyone from the New Lost City Ramblers and The Pouges to Nick Cave\, Tom Waits\, and Gillian Welch. \nAppealing as much to the pierced generation as to their great-grandparents\, this is sepia tones\, bent angles\, unexpected accents\, unanticipated sounds. It’s banjo ukeuleles\, minstrel banjos\, plucked fiddles\, bowed basses\, Hawaiian slide guitars\, harmoniums and Vietnamese jaw harps together in fiery\, artful\, harmony.
URL:https://gbae.org/event/the-crooked-jades/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2015/09/The-Crooked-Jades-2015.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150817T190000
DTEND;TZID=America/Los_Angeles:20150817T210000
DTSTAMP:20260503T075212
CREATED:20150807T181537Z
LAST-MODIFIED:20230127T071248Z
UID:2720-1439838000-1439845200@gbae.org
SUMMARY:The Brothers Comatose
DESCRIPTION:A hot\, high-energy\, 5 piece string band from San Francisco\nThe $15.00 tickets are on sale now at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them online at themartinhotel.com. \n \nContrary to their name\, the band is anything but Comatose. “It’s just one\, big\, extended Morrison music party\,” they say. Ben and Alex Morrison\, guitar and banjo\, and lead vocalists\, front this rocking string band that has become a West coast headliner and national touring act in a mere four years. With bass-master Gio Benedetti and stellar accompanists Phil Brezina on fiddle and Ryan Avellone on mandolin\, their high energy\, audience engaging shows have caught fire with fans from San Diego to Seattle to Salt Lake to Silk Hope\, NC and beyond. \nDuring early 2014 the band enjoyed incredible success on extended tours with Devil Makes Three\, Yonder Mountain String Band and Lake Street Dive\, which led to their own headlining and festival touring throughout summer and fall. 2015 finds The Brothers Comatose with numerous club dates\, festival appearances including High Sierra\, Delfest\, BottleRock and Summer Meltdown\, and a NEW ALBUM to be released later this year… with much touring to follow. \nAt the heart of this remarkable ensemble are the songs. With two CDs released and the third on its way\, the band draws from a deep knowledge of folk\, rock\, traditional and other genres. Stand out originals such as The Scout and Pie For Breakfast have become anthemic sing­a­longs at shows. Well chosen covers have ranged from Norman Blake to Keith Richards to Cake. They can also slow down the pace with beautiful original ballads such as Morning Time which was released as a duet with Nicki Bluhm on their current CD\, ‘Respect The Van’.
URL:https://gbae.org/event/the-brothers-comatose/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2015/08/Brother-Comatose-GBAE-250px.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
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END:VCALENDAR