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SUMMARY:The Crooked Jades Familiar Old-Time Embraced by the Strange
DESCRIPTION:“Grounded in tradition\, old-time string band music and mountain blues but with open horizons that take them\, subtly\, to other parts of the planet\, they have a haunting spookiness\, an organic pulse\, and most importantly a clear vision…Instrumentally they’re truly inspiring\, getting original textures out of conventional stringband instruments and mixing them with (in this context) oddities like bass ukulele\, harmonium\, mbira\, cello and Vietnamese jaw harp and bau zither. Vocally\, they have that lonesome white blues sound which has its ancestry in Dock Boggs and the Carters but again they take it somewhere else…a consistently startling and addictive album.”\n– The Crooked Jades “Shining Darkness”  Reviewed by Ian Anderson\nin UK magazine f ROOTS \nPerforming driving dance tunes and haunting ballads with an amazing array of vintage and eclectic instruments\, The Crooked Jades are modern innovators in the old-time Americana world\, creating a cinematic sound based on Americana roots infused with the diverse musical influences of Europe and Africa. \nOn a mission to reinvent old world music\, they bring their soulful performances (brilliantly suprising arrangements of obscure old tunes mixed with beautiful original compositions) to clubs\, concert halls and festivals around the united States and Europe. \nBased in San Francisco\, founded by leader Jeff Kazor and nurtured by the vibrant West coast\, California and Ba Area bluegrass and old-time music scenes\, the Crooked Jades play with a thrilling and hyponotic energy which has inspired director Sean Penn to include a turn from World’s on Fire ih his most recent film Into the Wild\, fans on their feet dancing and critics comparing them to everyone from the New Lost City Ramblers and The Pouges to Nick Cave\, Tom Waits\, and Gillian Welch. \nAppealing as much to the pierced generation as to their great-grandparents\, this is sepia tones\, bent angles\, unexpected accents\, unanticipated sounds.  It’s banjo ukeuleles\, minstrel banjos\, plucked fiddles\, bowed basses\, Hawaiian slide guitars\, harmoniums and Vietnamese jaw harps together in fiery\, artful\, harmony.
URL:https://gbae.org/event/crookedjades/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
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ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
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DTSTART;TZID=America/Los_Angeles:20090810T190000
DTEND;TZID=America/Los_Angeles:20091005T210000
DTSTAMP:20231006T004425Z
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LAST-MODIFIED:20231006T004425Z
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SUMMARY:Literary Nevada: Writings from the Silver State
DESCRIPTION:Cheryll Glotfelty\, CASE-Carnegie Professor of the Year for Nevada and Associate Professor of English\, University of Nevada\, Reno\, will be holding a series of public humanities talks and conversations in Northern Nevada based on Literary Nevada:  Writings from the Silver State. Literary Nevada is the first comprehensive anthology of Nevada literature.  The events are co-sponsored by Nevada Humanities and the University of Nevada Press. \nTalks will discuss Nevada through the lens of its literary heritage and include a conversation with the audience about Nevada’s stories.   A focal point of the conversation will be about living in Nevada and its rural communities\, and the stories that help us “re-see” our place. \nCheryll Glotfelty has published widely on western American literature in periodicals\, essay collections\, and reference works.  Twelve years of literary sleuth-work went into the making of Literary Nevada:  Writings from the Silver State\, recently published by the University of Nevada Press. \n“This book is a wonderful gift to Nevada’s people\, to westerners in general\, and to a confused nation seeking to understand its roots. It’s full of vivid\, compelling storytelling that can lead readers to an imaginative understanding of Nevada and western life and literature as they have evolved. This is a very special defining book. We inhabit our own nation\, and its literature is beginning to get due recognition. This book will be an important part of that movement.”\n–William Kittredge\, editor of The Last Best Place: A Montana Anthology
URL:https://gbae.org/event/literary-nevada/
LOCATION:NV
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DTSTART;TZID=America/Los_Angeles:20090829T193000
DTEND;TZID=America/Los_Angeles:20090829T213000
DTSTAMP:20231002T002844Z
CREATED:20090812T032853Z
LAST-MODIFIED:20231002T002844Z
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SUMMARY:Ray Abshire ~ Authentic Cajun Music
DESCRIPTION:Ray Abshire is one of Cajun music’s purest accordionists and vocalists and a living link to it’s very roots. A member of one of Louisiana’s legendary musical families\, Ray grew up surrounded by Cajun music’s pioneer artists. He has performed with most all of the old masters whose recordings now form the texts for students of today. In 1975\, while at the pinnacle of Cajun music as accordionist with the legendary “Balfa Brothers Band” and helping to open windows for Cajun music in the nation’s musical consciousness\, Ray left the bandstand. Abshire’s return to the stage has been hailed by both critics and fans alike. He is once again at the forefront and sharing his knowledge and skills with a new generation. \nRecognized as a master musician and one of the resurgence leaders of Cajun music\, Ray now enjoys conducting workshops\, teaching at music camps and performing at major festivals both nationally and abroad. Ray’s music is unfiltered and has it’s own wholesome electricity. He plays it the way it was handed down to him and understands the importance of preserving one of this nation’s great “folk” musics. Each and every time you attend a Ray Abshire performance you are guaranteed the “real deal”!
URL:https://gbae.org/event/ray-abshire-authentic-cajun-music-730-pm-saturday-august-29-2009/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
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