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DTSTART;TZID=America/Los_Angeles:20111008T190000
DTEND;TZID=America/Los_Angeles:20111008T210000
DTSTAMP:20230212T050709Z
CREATED:20110929T054215Z
LAST-MODIFIED:20230212T050709Z
UID:1540-1318100400-1318107600@gbae.org
SUMMARY:CeCe Gable
DESCRIPTION:Timeless Songs of the Great American Songbook\n7:00 PM Saturday\, October 8\, 2011\nCeCe Gable\, the Chanteuse of the Sierra\, makes her triumphant return to Winnemucca’s famed Martin Hotel on October 8\, 2011 at 7:00 p.m. Last year’s performance was “over the top” with great jazz stylings by Ms. Gable and her band. \nThis is a show you won’t want to miss with world-class jazz musicians: \nKeyboardist/Accordionist\, Corky Bennett\nBassist\, Bill McCubbin;\nTenor Saxophonist\, Rocky Tatarelli\nDrummer\, Chuck Hughes. \nThis is sure to be an exciting evening of music for everyone who loves the timeless songs of the Great American Songbook\, the Beatles\, straight ahead jazz and some obscure cabaret tunes. \n“Gable is a Reno and Northern Nevada treasure. A fine musician\, a charming host for an evening of song from the Great American Songbook\, this chic lady brings glamor to her work and a no-frills approach to lyrics and musical line that gives each song it’s very own moment supreme.” – Jack Neal \n“CeCe is a storyteller. Her earlier studies in dance have clearly found their way into her approach to the song and jazz music\, for she\, like the dancer\, attempts to get inside the sound in order to discover what the sound has to say…” – L. Martina Young \nCeCe draws the listener into her captivating world of song with an incredible depth of emotion. She swings with rhythmic passion and also has the ability to caress a ballad with effortless interpretation. Influenced by many of the women and men of jazz\, she offers her own voice on jazz standards and the American Songbook. She shines on any stage whether she is accompanied by a solo pianist\, a trio or an entire orchestra… you’ll find you cannot get enough of this jazz experience. \nWell known to audiences up and down the Pacific Coast and throughout the western states\, CeCe Gable is rapidly becoming one of the premiere jazz singers in the region. \nA native of Barberton\, Ohio\, and a graduate of Kent State University\, CeCe lived in Winnemucca for a few years while she was working as an artist in residence in Winnemucca schools. While she was in Winnemucca she primarily taught dance and creative movement to budding young artist’s. CeCe now makes her home in the Reno/Tahoe area as a performing and recording artist. \nA consummate jazz cabaret performer\, she has sung in jazz clubs throughout the United States and Europe including New Orleans\, Las Vegas\, Palm Springs\, Fiji\, Munich\, Athens and at New York City’s Iridium with Les Paul. \nShe has presented the works of George Gershwin\, Thelonious Monk\, Stephen Sondheim and Kurt Weill to rave reviews in a variety of venues. According to Metroland (Albany\, NY)\, CeCe Gable is a performer who exudes warmth\, sophistication\, a generous stage presence and rare versatility. A unique\, compelling performer with a style and sound all her own\, CeCe has been compared to the song stylists of the ’50?s with a contemporary twist. \nAdmired as a “quiet surprise” by audiences nationwide\, CeCe has become known for delivering an honest performance and has prompted more than one audience member to say “When you sing I see the music flow through you and I believe you.” \nRichard Feldman\, stage director and arts critic for The Record (Troy\, NY) asserts that “CeCe Gable is one of those rare performers whose mellow vocals\, stylistic sophistication\, diversity of material and intimate delivery combine perfectly to convince us that she’s singing to each of us…personally.” \nTICKETS ARE ON SALE NOW\nTickets are available for $15.00 at the Martin Hotel\, Nature’s Corner\, and Global Coffee. You can also buy them on-line at http://themartinhotel.com
URL:https://gbae.org/event/cece-gable/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2010/04/ccg.jpg
ORGANIZER;CN="GBAE.org":MAILTO:contact@gbae.org
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DTSTART;TZID=America/Los_Angeles:20111020T190000
DTEND;TZID=America/Los_Angeles:20111020T210000
DTSTAMP:20230131T054107Z
CREATED:20111011T165344Z
LAST-MODIFIED:20230131T054107Z
UID:1569-1319137200-1319144400@gbae.org
SUMMARY:Joyce Andersen
DESCRIPTION:7:00 PM\nThursday\, October 20\, 2011\nQueen of the Solo Nouveau Old-Time\nElectro-Acoustic Shamanic Violin Troubadours\n \n  \n  \n  \n  \n  \n  \nAfter nearly 20 years as a fiddle sideman and a singer-songwriter\, playing in bluegrass\, country\, rock\, celtic\, jazz and folk ensembles\, Joyce Andersen has gone into the woodshed for 2 years to create a new body of music and a new musical standard of what an unaccompanied fiddle troubadour can do. Her 5th solo CD\, titled Swerve\, features her new sound in 8 extended improvisational songs that embrace a dizzying range of musical styles\, from jazz standards to fiddle tunes\, gospel\, ballads and blistering rock & roll. \nOver her career Andersen has developed an uncanny ability to play violin and sing at the same time\, often with the instrument and vocal in counter-rhythms\, as well as complex harmony and diverging lines. Add to this an array of hi-tech gear that would make a rock star drool\, and Andersen now commands a staggering wall of sound that emanates from her violin\, viola\, Norwegian Hardinger fiddle\, and foot percussion. Without using any computerized or pre-recorded sounds\, she literally dances with all four limbs as she weaves intricate rhythms\, melodies\, and harmonies into extraordinarliy musical sonic collages. Her new sound is built from a large palette of strummed\, plucked and bowed sounds\, combining and juxtaposing beautiful acoustic violin tones with swirling electro-acoustic explorations and crunching rock distortion. \nSwerve marks the emergence of a unique\, urgent and powerful new sound for the solo violin player\, that is at once diverse\, complex\, and distinctively her own. It showcases her impressive musical skills and vocals as well as her composing\, arranging and brilliant improvising. With her powerful voice and stage presence at the center\, she runs seamlessly through traditional bluegrass songs\, anthemic power ballads\, Billie Holiday torch songs\, and house-rocking reworkings of classics from the likes of Marvin Gaye\, Big Mama Thornton\, Steppenwolf\, Steve Winwood and even Jimi Hendrix. \nJoyce Conjures Up Jimi Hendrix\n \n“I’ve always envied guitarists their ability to play gigs alone\, and especially I have always been in awe of the expressive power of the electric guitar\,” says Andersen. ” I’m excited to have found a way to make a complete solo troubadour sound with just my violin that feels right to me musically\, and since violinists really haven’t gone down that road the guitarists have\, I am finding my own sounds.” Guitarists have always been able to play solo\, and it’s taken over two years of effort for Andersen to develop the new tools and techniques she needs to fulfill her musical vision of expanding the violin’s capabilities. Following in the footsteps of electric guitar pioneers like Hendrix\, Les Paul and Michael Hedges\, Andersen is sculpting a new set of sounds to add to the sonic landscape of an instrument that was considered to have been perfected 400 years ago. She says: “A vital part of my sound is that in no way am I abandoning the acoustic tone of the violin & viola in favor of an electronic replacement. Electric violinists have plugged in for decades\, but they seem to have sacrificed the acoustic tone they started with. I am trying to use both sets of sounds in my music.” \nIndeed\, for over half a century guitarists and listeners have accepted the electronically generated sounds of echo\, phasing\, tremolo\, delays\, distortion\, and even wah-wah as an extension of the sound of the guitar\, and there is no reason why the violin cannot go down a similar artistic path\, and be seen as expansion rather than compromise or degradation. A number of violin players are already experimenting with electro-acoustic sounds\, but Joyce Andersen is taking this idea to a whole new musical level and opening a new set of doors for modern-day violin troubadours\, while still remaining true to her deep roots in traditional fiddling and musical Americana. \nHer music has brought her from the coffeehouses and taverns of her native New England\, national & international touring with folk virtuoso (and husband) Harvey Reid\, the stage of Carnegie Hall\, the Conan O’Brien show and country music in Japan. \nHer recorded work has won her critical acclaim and radio play in the folk world. \nSing Out! magazine says her CDs “…places her right up there with any of the songwriters out there performing their songs today.” \nThe Boston Globe says “That neo-traditional current is starting to be felt among the ranks of New England songwriters…among the hottest…New Hampshire fiddler-singer Joyce Andersen.” \nAnd Minnesota Public Radio says “Youth and strength flow through her voice. She’s got power and conviction. . . She’s writing new songs and retelling old stories\, and there’s” still something mysterious in her music that sounds like comes from an ancient and pure source.”
URL:https://gbae.org/event/joyce-andersen/
LOCATION:Martin Hotel\, 94 W Railroad St\, Winnemucca\, NV\, 89445
ATTACH;FMTTYPE=image/jpeg:https://gbae.org/wp-content/uploads/2011/10/joyce_andersen_400px.jpg
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