Jeffrey Martin and Anna Tivel
Jeffrey Martin returns to delight and devastate our eager ears and hearts with his thoughtful and poetic songs. Once a high school English teacher, Martin turned to writing songs and touring full time, continuing his love of words and stories. Now, with three intensely lyric-driven albums under his belt, two of which were released on the Portland indie-label, Fluff & Gravy Records, Martin has developed a loyal and growing audience, both domestically and abroad.
Jeffrey Martin writes music that probes the depths of the human experience and doesn’t shy away from its darkest corners. His songs can feel like short stories from literary giants like Steinbeck, Burroughs, or Cormac McCarthy and possess a raw intensity that comes from seeing his subjects up close. All the struggle, hurt, strife, and heartbreak that comes from living in this world are laid bare and unvarnished, yet somehow, Martin manages to mine and make space for what beauty remains. Jeffrey’s latest album Thank God We Left the Garden was released last month.
Jeffrey will be joined by Anna Tivel.
Oregon based songwriter Anna Tivel’s newest album ‘Outsiders’ starts with a lens so wide we’ve left the planet to look back from a great distance at the turmoil and beauty of our shared humanity. From there the lens pulls close and unfolds in a gripping collection of stories so often ignored. Tivel’s flawed and honest characters move through a landscape of hurt and loss, of small triumph and big love. In eleven songs full of recognition, veracity, and hope, Tivel’s watchful and empathetic eye details the undeniable ache of living.
Throughout her work, Tivel has emphasized storytelling and this album is no exception, building on the strength of her ability to observe and reflect with a clear-eyed empathy. Inspired by authors from Steinbeck to Morrison, Didion to Dubus, she imbues her songs with attentive detail and a dreamlike quality that leaves the ordinary feeling both palpable and poetic. “Tivel’s characters are common but unforgettable,” NPR’s Ann Powers writes, “Her images linger, and become populated with the energy of the real.”