Alash is a quartet of master throat singers (xöömeizhi) from Tuva, a tiny republic in the heart of Central Asia. The ancient art of throat singing (xöömei) developed among the nomadic herdsmen of this region. Alash remains grounded in this tradition while expanding its musical vocabulary with new ideas from the West.
Background: All members of Alash were trained in traditional Tuvan music since childhood, first learning from their families, and later becoming students of master throat singers. In 1999, as students at Kyzyl Arts College, they formed a group called Changy-Xaya. They practiced in the damp college basement on Kochetovo Street, and soon became the resident traditional ensemble on campus. At the same time they learned about western music, practiced on hybrid Tuvan-European instruments, and listened to new trends coming out of America. Alash. Tuva. 2002 Under the guidance of Kongar-ool Ondar (best known to western audiences for his role in the film Genghis Blues), they began to forge a new musical identity. They introduced the guitar and sometimes even the Russian bayan (accordion) into their arrangements, alongside their traditional Tuvan instruments. They experimented with new harmonies and song structures. The effect is an intriguing mixture of old and new.
Influences: The musicians are inspired by the music of their grandparents, great-grandparents, and the great musicians of Tuva and Central Asia. At the same time they are influenced by such western artists as Sun Ra and Jimi Hendrix. Yet the Alash musicians never sacrifice the integrity of their heritage in an effort to make their music more hip for an American audience. Rather they look for contemporary ideas that mesh well with the sound and feel of traditional Tuvan music.
Alash in America: Alash’s inaugural U.S. tour was sponsored in 2006 by the Open World Leadership program of the Library of Congress and the National Endowment for the Arts. Since then, they have returned to tour extensively, playing to enthusiastic audiences and presenting workshops to eager students of all ages. The Washington Post described their music as “utterly stunning,” quipping that after the performance “audience members picked their jaws up off the floor.”
Alash Collaborations: Members of Alash enjoy working across musical genres. They have collaborated with such diverse groups as the innovative jazz ensemble Sun Ra Arkestra, the bluegrass/fusion/jazz band Béla Fleck and Flecktones, and the classical Chamber Music Society of Lincoln Center’s Student Producers Program. They are guest artists on the Grammy-winning holiday CD “Jingle All the Way” by Béla Fleck and Flecktones.
Awards: Both the Alash ensemble and individual members have consistently won top honors in throat singing competitions. The ensemble was awarded first prize in Tuva’s International Xöömei Symposium competition in 2004. At the Fifth International Xöömei Symposium in 2008, three Alash musicians swept the top prizes for individual throat singing, and the fourth took top honors for his duet performance with his wife. In 2007, Alash member Bady-Dorzhu Ondar was named People’s Xöömeizhi of the Republic of Tuva, the youngest person ever to receive this prestigious award. In 2009, Alash member Ayan Shirizhik was named a Merited Artist of Tuva. Even Alash’s American manager, Sean Quirk, was named a Merited Artist of Tuva for his contribution to Tuvan culture. In addition, Quirk and all Alash members play in the Tuvan National Orchestra, which has won both first prize and grand prize in the All-Russia National Orchestra and Ensemble Competition.
They have played at major events and venues around the country including: The 2008 Smithsonian Folklife Festival in Washington DC, The National Cowboy Poetry Gathering in Elko, NV, The Monterey Cowboy Poetry & Music Festival in Monterey, CA, The Santa Clarita Cowboy Poetry & Music Festival in Santa Clarita, CA, The Willow Tree Festival in Gordon, NE, The Arizona Cowboy Poets Gathering in Prescott, AZ; The Cherry Blossom Festival in Macon, GA; The National Arboretum in Washington, DC, The Buffalo Bill Historical Center in Cody, WY, and The National Cowboy & Western Heritage Museum in Oklahoma City, OK, The Museum of South Texas in Edinburgh Texas.
In August 2005, the Gillette Brothers traveled to Japan representing the State of Texas at the World Expo – Aichi/Nagoya, performing their music at the US Pavilion. In October 2008, the Gillette Brothers toured Somerset, England for two weeks, performing in village halls and the Bridgewater Arts Center.
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At age two, Saul Kaye glued his head to the stereo speakers in his family living room, and one could make the argument that he’s never really unglued himself. In fact, as a teenager, his only weekly ritual was tuning into a radio show called The Blues Train , which played Muddy Waters, Willie Dixon, Son House and other greats from 8pm to 6am while Kaye played along.
