Moreland & Arbuckle

“Deeply satisfying…gritty soul and blues with garage overtones and fire-and-brimstone vocals” –Living Blues

Thursday, September 15, 2016
7:00 PM at the Martin Hotel

Purchase your $15 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel, Nature’s Corner, and Global Coffee.

 

MorelandArbuckle5602byGavinPeters

Guitarist Aaron Moreland – co-founder of the groundbreaking Kansas-based trio Moreland & Arbuckle — describes their music as “gritty blues and roots rock from the heartland.” Moreland, along with harmonicist/vocalist Dustin Arbuckle and drummer Kendall Newby, electrify raw Delta and Mississippi Hill Country blues, folk, and traditional country with unrelenting punk rock energy washed in hard-hitting Southern soul. Their songs are expertly executed with musical muscle and fifth-gear urgency. When they perform more traditional blues, they play with the same decisive command. With each of their six previous releases, the band has grown musically and lyrically, creating a signature sound while earning a large and loyal worldwide fan base. Their legendary raw and raucous live shows are played with wild abandon. The New York Post says Moreland & Arbuckle have “a raw juke joint exuberance with a dirt-under-the fingernails garage band attack.”

Guitarist Aaron Moreland was born December 16, 1974. He played in a number of garage bands while growing up and was influenced by punk music before having what he calls his “Son House moment.” Hearing the blues legend’s Death Letter Blues for the first time at age 22, he changed course, focusing his playing on nothing but acoustic blues for the next several years. Harmonicist /vocalist Dustin Arbuckle was born December 25, 1981. He first discovered blues in his mid-teens and received what he refers to as “a calling. Getting into blues made me want to play music,” he says. He played in blues-rock bands, inspired by Little Walter and Sonny Boy Williamson, while learning to sing with deep soul and honest authority.

The two met at an open mic session in their hometown of Wichita, Kansas back in 2001 and they quickly bonded over their mutual love of blues. Less than a year later, they joined forces, their raw and energetic approach to the music melding perfectly. Soon after coming together, Moreland and Arbuckle played both as an acoustic duo and as The King Snakes, a four piece electric band. Keeping a bass player proved difficult, and they soon found they made a better sound without one, as Moreland kept the rhythm thumping on his guitar while Arbuckle took the music into overdrive with his harmonica and vocals. The band quickly became local heroes, filling clubs beyond capacity. It wasn’t long before they started touring larger cities around the country, earning new fans with every performance.

Moreland & Arbuckle have grown from a fiery, crowd-pleasing duo to a genre-smashing three-piece band. Together, Moreland’s simultaneous bass, rhythm and lead guitar work and Arbuckle’s emotionally-charged harmonica and edgy vocals — now driven by Kendall Newby’s propulsive drumming — create a sound that is forceful enough to grab a listener’s attention and nuanced enough to hold it. American Songwriter says the group’s music is “swampy, sweaty and muggy….mixing a bluesy foundation with bits of country, folk and squawking American rock and roll.”

John Reischman and the Jaybirds

Friday, August 12, 2016
7:00 PM at the Martin Hotel

Purchase your $20 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel, Nature’s Corner, and Global Coffee.

With a fourth critically-acclaimed album and expanded touring schedule, John Reischman and the Jaybirds are a top-flight band delivering a truly fresh blend of original songs and instrumentals, old-time heritage, and bluegrass power.

Featuring nine new songs and tunes from all five founding band members, Stellar Jays is the latest in a series of CDs to win rave reviews for a trademark, old-time-infused bluegrass sound that respects tradition while advancing the music. The nomination of Stellar Jays for two 2007 Canadian Folk Music Awards follows praise such as this from Nashville Public Radio: “A masterpiece — a fascinating and fresh-sounding collection of tunes that incorporate the best elements of bluegrass and old-time into a killer new sound.”

“On the evidence of Stellar Jays, John Reischman and the Jaybirds are in their prime as contemporary bluegrass musicians capable of maintaining and extending the JohnReischman-Jaybirds-Flyer-250pxmusic’s legacy,” says Billboard.com. Bluegrass Unlimited magazine describes tone-master and composer John as “one of the world’s undisputed masters” of the mandolin, a frequent accolade since his days with the Tony Rice Unit and California’s Good Ol’ Persons. John went on to record two outstanding solo albums and numerous sessions before forming the Jaybirds in 2001 to release a self-titled debut album, followed by the Canadian Juno-nominated Field Guide, and in 2005, The Road West.

“Though Reischman is the leader and front man, he gives each of them plenty of room to shine, and together they produce music that is seamlessly excellent and rewarding,” Sing Out! magazine says of the superb West Coast ensemble led by John from Vancouver, B.C. “The folks he’s playing with are neck and neck with him all the way,” Victory Review magazine says of the original line-up: John on mandolin, Jim Nunally on guitar, Trisha Gagnon on bass, Nick Hornbuckle on banjo, and Greg Spatz on fiddle.

Jim is a San Francisco Bay-area veteran of several decades as a leading guitarist, songwriter and high, lonesome singer. Jim appeared with John on the Grammy-winning CD True Life Blues, The Songs of Bill Monroe, is a producer and session stalwart, and plays select dates with David Grisman. Audiophile Audition describes Jim as “one of the best bluegrass tenors working today,” with equally impressive speed, clarity and tone as a guitar man.

Chilliwack, B.C.-based Trisha is portrayed by SingOut! as “one of the most versatile” and “irresistible” vocalists in bluegrass, her strong and distinctive style ranging from “mournful and plaintive” to “hopeful and yearning.” Trisha anchors what Dirty Linen magazine calls “gorgeous three-part harmonies” and her singing and heart-felt songwriting is complemented by her right-on-the-money bass rhythm.

Nanaimo, B.C.-based Nick has developed his own voice on the five-string banjo, a unique sound with a two-finger roll unlike other contemporary banjo players. “Nick Hornbuckle’s banjo can be downright spine-tingling,” wrote the L.A. Daily News. “The resonant yet lively Cleo Belle is just right,” Bluegrass Now says of the prolific instrumental composer’s, original Stellar Jays offering.

Spokane, WA-based Greg is hailed as a “world-class bluegrass fiddler” by Fiddler magazine. Another Stellar Jays instrumental composer with the lightning-fast Bash Bish Falls, Greg’s “virtuosic playing is flawlessly delivered time after time,” praises Audiophile Audition. His wide-ranging chops have made him a popular West Coast player for years, including stints with the legendary Frank Wakefield, and resophonic guitarist Rob Ickes.

As FolkWax says, John Reischman and the Jaybirds offer “clarity, energy, good ensemble work, classy originals, and an adventurous approach” to the world of bluegrass and folk music — along with engaging stage humour in powerful live shows. They are what SingOut! calls “a thoroughly professional ensemble with a rare ability to produce music that is simultaneously traditional and contemporary . . . the Jaybirds are a band that continues to hit on all cylinders.”

 

 

I Draw Slow

CAPTIVATING AMERICANA FROM THE EMERALD ISLE

Tuesday, August 2, 2016
7:00 PM at the Martin Hotel

Purchase your $10 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel, Nature’s Corner, and Global Coffee.

“I Draw Slow are one of the most beguiling and singular acts currently on the circuit.” –  Irish Independent

“Captivating”, “achingly beautiful”, “polished and gutsy”, “spine tingling harmonies” and “heart-melting vocals” are just a few of the terms the press has used to describe the music produced by this great band from Dublin, Ireland.  I Draw Slow performs many self penned songs as well as a full repertoire of traditional tunes from Ireland and Appalachia. They have been on an extensive tour of the U.S. including performing at Merlefest, Rockygrass and the Pickathon music festivals.  We have the good luck to see them here in Winnemucca as they work their way to the Sister’s Folk Festival and for a return to Pickathon.

This Dublin, Ireland, roots band has been garnering praise around the globe since the release of their Top 10 selling album Redhills in 2012. Now their new album, White Wave Chapel, is all the buzz at home and overseas with their unique sound, bringing together Irish tradition with modern Americana while staying rooted in the old-time style of Appalachia. Their impact abroad is redrawing the map for these Irish/Americana songwriters.

The UK press describes, I Draw Slow as “American top league equivalents” destined “to blow the opposition away,” drawing favorable comparisons with Gillian Welch and Alison Krauss. The band has played to audiences in the UK, Germany, Denmark, Belgium, performed with the legendary Béla Fleck and the Flecktones, and made an appearance at the Celtic Connections Festival in Glasgow, Scotland.

Their name, I Draw Slow, is said to be the result of their efforts to find a name that was a complete sentence, and that contains a little story, and a mystery.  “If you are in a duel, and you draw slow, you are the one that is going to die”.

I-Draw-Slow

 

 

 

Roy Book Binder

Blues Guitar Legend Returns to the Martin
7:00 PM, Saturday, July 9, 2016

The $10.00 tickets are on sale now at the Martin Hotel, Nature’s Corner, and Global Coffee. You can also buy them online at themartinhotel.com.

Roy Book Binder at the Martin 2008
Roy Book Binder at the Martin 2008

The great Roy Book Binder is set to play a concert at the Martin Hotel on Saturday, July 9. Something of a national treasure, Book Binder plays blues in the Piedmont style, a very old East Coast tradition based on ragtime and multi-part gospel guitar techniques.

Besides being a musical giant with unexceeded technique, Book Binder is known as a crowd-pleasing entertainer with deft comic timing, an encyclopedic knowledge of American roots music history, and an inexhaustible supply of tales collected over a lifetime of traveling and performing with greats like Brownie McGhee, Sonny Terry, Rock Bottom, Fats Kaplin, Doc Watson, Bonnie Raitt, and Ray Charles.

Book Binder emerged alongside pal Dave van Ronk in the New York City coffeehouse scene of the mid-60s, the beginning of the so-called “folk revival.” And, his repertoire includes “Bookaroo” songs, played in a folk style reminiscent of Rambling Jack Elliot, and Don Edwards.

Book Binder’s real bailiwick, though, is blues in the East Coast or “Piedmont” style, named for the plateau that stretches from Richmond, Virginia to Atlanta, Georgia. The style evolved in the 20s, 30s, and 40s, when ragtime, parlor, and gospel guitar players like Blind Blake, Blind Boy Fuller, and Reverend Gary Davis began applying polyphonic finger-picking technique to the blues. Book Binder perfected his Piedmont technique as Davis’s protégé, working as the blind virtuoso’s driver and side-man during the late 1960s.

Book Binder has recorded eight albums, most in a “hillbilly” blues style that includes plenty of colorful banter between the tracks. Often, the stories and jokes stretch back to Book Binder’s formative years on the road with the Reverend Davis. Though based on old-time techniques, his songs sound fresh and relevant, often featuring original lyrics re-spun to reflect contemporary themes.

Book Binder continues to perform solo shows around the world, the last time we saw him he was about to leave for the Blues Festival in Hell Norway where he appeared along with Ramblin’ Jack and many other greats. He also teaches at MerleFest and the Fur Peace School, and keeps an entertaining travel “blog” on his website, RoyBookBinder.com.

So, if you’re in town over the weekend, don’t miss the chance to see one of the great bluesmen of all time, up close and personal, right here in Winnemucca. The show starts at 7 PM on Saturday, July 9, at the Martin Hotel on Railroad Street.

Nell Robinson & Jim Nunally Band

Saturday, June 18, 2016
7:00 PM at the Martin Hotel

Purchase your $15 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel, Nature’s Corner, and Global Coffee.

The Nell Robinson & Jim Nunally Band brings five genre-busting artists together to bring joyful music infused with folk, bluegrass, americana, roots, swing, jazz, and the blues. Alt-Roots, Folkbilly – whatever you call it – it’s original, well done, and a pleasure to hear. Featuring Pete Grant on pedal steel, Jim Kerwin on bass fiddle and Jon Arkin on percussion. This is truly an all-star band.

The Nell Robinson & Jim Nunally Band released their new EP West in Berkeley CA on April 30th. West is the first of a four-part, five-song EP series named after one of the four cardinal points on a compass – North, South, East, and West – and a U.S. tour date will coincide with the appropriate region throughout 2016. East will be released with a special show in Washington D.C. at the end of June. When placed together, the back covers of the four releases will form one piece of art. Physical copies will be available for purchase for only $5 at all live shows, and digital versions will be available for purchase on iTunes and Amazon starting this June.

“We are excited about releasing a series of eclectic new works with a super talented band,” said Jim Nunally. “We pay homage to great artists like George Jones, Buck Owens, Tammy Wynette, while our original songs like ‘Mirror’ take folk music in an entirely new direction. We aren’t just following a path; we are paving a new one.”

“Hey, five is the magic number this year, it’s a number that signifies change and grace,” added Nell Robinson. “Five songs per album for $5, five jazzed musicians … and I turn 55 this spring!”

Nell-RobinsonNell Robinson has been described as a “modern day Patsy Cline” and “one of the freshest voices in roots music.” Her side-projects, from the poignancy of Soldier Stories to the whimsy of The Henriettas, further attest to the breadth and ambition of the youthful musical passions she let flower. Robinson’s 2014 release “The Rose of No-Man’s Land became a PBS Special with it’s own episode in the Music Gone Public series. The abum, produced by Joe Henry, featured Ramblin’ Jack Elliott, Kris Kristofferson, John Doe and Maxine Hong Kingston. “Music is the ultimate communication tool and Nell’s songs, performance and album moved the WoodSongs audience deeply! A fine person and a fine artist, ’nuff said.”- Michael Johnathon, Woodsongs Old-Time Radio Hour.

 

Jim-NunallyJim Nunally is a San Francisco Bay Area-native, a musician, composer, record producer, and teacher. As a guitarist and vocalist with the David Grisman Bluegrass Experience for over 13 years, Jim joins master American guitarists Doc Watson and Tony Rice as one of the finest interpreters and performers of bluegrass and traditional music. He is a recipient of two Grammy and IBMA Awards and is a two-time Western Open Flatpicking Guitar champion. His work is featured on soundtracks for The Beverly Hillbillies Movie, Snoopy’s Reunion, The Sims, Streets of SimCity and more. His third-generation traditional music roots began in Arkansas with his guitar-playing grandfather who taught Jim’s father, who in turn taught Jim. This pedigree contributes to his unmistakably traditional sound.

 

Peter-GrantPete Grant’s resume looks like a who’s who of music! He started playing banjo, guitar, and dobro in the early sixties in the San Francisco Bay Area. Sharing musical adventures with his friends Jerry Garcia, Jorma Kaukonen, Pat Simmons, and others, he has performed solo, in duos, and his own groups. The Grateful Dead album Aoxomoxoa was his first studio recording, from there he went on to become one of the most sought after steel players on the West Coast. Touring in Japan with Guy Clark, he played on Clark’s second release, Texas Cookin’. Grant is a two-time nominee for Best Steel Guitarist by the Academy of Country Music.

 

Jim-KerwinJim Kerwin is considered simply one of the best string bass players in the country. He has played with David Grisman for over 30 years and is featured on all of Grisman’s Jerry Garcia recordings, all of which boast a unique acoustic setting, encompassing a myriad of musical genres. A San Francisco State University graduate with a performance degree in solo double bass, he spent several years touring Europe with an avant-garde jazz trio led by vibist Larry Blackshere. He has performed with bluegrass greats Red Allen and Del McCoury and has played at Carnegie Hall with Stephane Grappelli and YoYo Ma. Kerwin is featured on numerous recordings – including six Grammy nominees – from big band and bluegrass to jazz and latin.

 

Jon-Arkin-119x150Jon Arkin is a versatile, gifted drummer/percussionist who is known for his performances & recorded work in a wide variety of musical contexts. In addition to leading his own groups, he has performed with jazz greats such as Lee Konitz, Gene Perla, and Ira Sullivan, with singer-songwriters including Stew and Meklit Hadero, Afrobeat bands Albino and Soji Odukogbe, a multitude of collaborators in the experimental music world, and countless other artists. He has just released an album of original experimental jazz with the Schimscheimer Family Trio entitled “Broken Home”, and has developed a unique repertoire as a solo electro-acoustic percussionist. Could his bluegrass groove have come from his father? Steve Arkin played banjo with Bill Monroe and His Bluegrass Boys!

Old West Trio

Old West Trio

Cowboy classics performing on TWO nights in Winnemucca.

Old West Trio

 

7:00 PM Friday, April 29, 2016
at Shooting the West – Nevada’s Photography Experience
$15 Tickets for that event here
(this show at the Winnemucca Convention Center)

7:00 PM Saturday, April 30, 2016
Music at the Martin Hotel
Presented by Great Basin A&E
$15 Tickets on the Martin Hotel’s Website

 

 

 

The $15.00 tickets for Music at the Martin are also on sale at our walkup outlets, Nature’s Corner, Global Coffee, and The Martin Hotel.

From classic Sons of the Pioneers and Gene Autry tunes to contemporary Ian Tyson and Tom Russel masterpieces, the Old West Trio delivers folk harmony and Smother’s Brothers style humor.

Presenting spot on renditions of some of the greatest western tunes of all time, the Old West Trio take the stage at the Martin Hotel on April 30.

This dynamic group balances silver-screen harmonies and newly minted cowboy classics with a dose of humor. The trio earned the Will Rogers Award for 2011 Best Western Music Duo/Group of the Year (Academy of Western Artists). Members are Steve Ide (rhythm guitar), Leslie Ide (upright bass), and Steve Johnson (lead guitar).

 

 

Ned Evett

The Glass Guitarist – A Master of the fretless glass necked guitar.

Join us for an evening of Americana, country, blues, folk and rock music & acoustic glass guitar.

7:00 PM Saturday, April 9, 2016

The $10.00 tickets are on sale now at the Martin Hotel, Nature’s Corner, and Global Coffee. You can also buy them online at themartinhotel.com.

Ned_EvettCurrently based in Boise Idaho, Ned Evett is one of the world’s foremost fretless guitarists, creating music that both celebrates and transcends the novelty of his instrument.

Born in Nashville Tennessee, Ned started playing ukelele at age 11, graduating to his first guitar at 15. At 16, Ned got his first classical guitar and gave his first professional performance as a guitarist.

Ned won a college scholarship to study classical guitar, but a Michael Hedges performance in 1986 changed the course of his life; he dropped out of college to pursue songwriting and electric guitar full time. He spent the next five years traveling across the US playing six nights a week with numerous bands.

New years eve 1990, Ned had had enough of cover bands. He smashed his strat onstage and built his first fretless guitar from the neck which survived intact. He appeared with his fretless acoustic in the May 1993 issue of Fingerstyle Guitar Magazine, then on record with Warner Brothers recording artists Built To Spill in 1994.

Prior to his first European tour in 1997 backing Austin Singer/Songwriter Dirk Hamilton, he switched to a glass fingerboard; in part to keep from wearing out numerous ebony fingerboards. Ned has used glass fingerboards ever since, prompting the moniker ‘the glass guitarist’.

Ned has drawn a catalogue of critical acclaim from such major national publications as USA Today, writing, “Ned Evett is the perfectly sane, and vastly entertaining master of the fretless glass-necked guitar.”

His touring history includes concerts performed in the United States, Canada, England, Ireland, Mexico, and Australia as well as most of the countries in western Europe.

In 2003, Ned entered and won the North American Rock Guitar Competition. In 2004 PBS Television broadcast the documentary “Driven To Play “, a film about the event which aired in all US states and parts of Canada.

Following the film’s premier, Ned began a series of tours with artists such as Jonny Lang, Eric Johnson, and George Thorogood. From October 2010 through January 2011, Ned embarked on a world tour with Grammy nominated artist Joe Satriani who says:

“Ned Evett is a monster player/writer/performer. I’ve had him on tour as a solo act, as well as with his different band lineups, and he always puts on a great performance. He has a good time with the audience, as he uses his unique personality to guide them through his music and his one-of-a-kind guitar style.”

Ned’s current sixth solo album, “Treehouse” is a 14 song diary of love, loss, redemption, and the future told in Ned’s mesmerizing voice, accompanied by Ned’s trademark fretless mirrored glass and steel resonator, the “Globro” and his glass-necked electrics. The album, produced by legendary musician Adrian Belew, was released on January 3, 2012.

The highly personal material on the album evolved from a too common event in American life, job loss and economic displacement. The cycle of events described on Treehouse is not an interpretation of hard times projected by a rich entertainer or writer, but of first hand experience losing it all.

Hope abounds though, and by the end of the album Ned picks up the pieces and goes on to the next exciting phase of life.

Deakin Hicks

Accordion and Clarinet, together again for the very first time.

Wednesday, March 16, 2016
7:00 PM at The Martin Hotel

The $10.00 tickets are on sale now at the Martin Hotel, Nature’s Corner, and Global Coffee. You can also buy them online at themartinhotel.com.

Deakin_Hicks
Deakin Hicks

Deakin Hicks is the Bellingham based Chromatic Button Accordion and Clarinet duo of Lucas Hicks and Thomas Deakin.  Original compositions and improvisations twist together in a unique blend of tone, time, and delight.  Happy to appear in venues or street corners from Bellingham to the Basque Territories, Deakin Hicks is something odd, pleasant, and completely handmade.

Dave Stamey

Great original songs and stories of the American West
Saturday, March 12, 2016
7:00 PM at the Martin Hotel

DaveStameySOLDOUT

Dave Stamey has been bucked off and stomped by many horses. He has been stepped on by mules and dragged around branding pens by cattle of many sizes. He’s ridden in the rain, in the snow, in the rain some more, in pretty nasty heat, and in feedlot pens where the air was thick and decidedly fragrant. He’s even wrangled dudes.

He is an entertainer now, and makes his living inflicting himself upon innocent people at music festivals, agricultural banquets and backyard barbecues. He finds he prefers this. He has been voted Entertainer of the Year, Male Performer of the Year and Songwriter of the Year by the Western Music Association, and Male Vocalist of the Year by the Academy of Western Artists.

Cowboys and Indians Magazine has called him “the Charley Russell of Western Music.”  He’s delighted audiences in fourteen states, and finds that he prefers this to being stomped by angry horses.

He lives in Nipomo, California. He bets you don’t know where that is.

 

Mike Beck

Wednesday, January 27, 2016
7:00 PM at the Martin Hotel

Purchase your $10 tickets Now! On-line from The Martin Hotel or you can also buy them at our walkup outlets: The Martin Hotel, Nature’s Corner, and Global Coffee.

In these parts of the United States, it’s not at all unusual to encounter singer songwriters performing odes to cowboy life. It’s a bit more unusual to come across those who sing from experience, as Mike Beck does.

A regular at the annual National Cowboy Poetry Gathering in Elko. Beck is renowned internationally for both his horsemanship and musical ability. Western Cowboy magazine has even placed two of his compositions on a list it titled “The 13 Best Cowboy Songs of All Time,” putting him in the company of heroes such as Ian Tyson, Lucinda Williams, Tom Russell and Gene Autry, the original singing cowboy.

Beck’s sixth album, TRIBUTE, was created as a celebration of horses and their unique bond with humans. Its 11 cowboy themed Americana tracks range from folk balladry (“20 Bucks a Gallon”) to bluesier tunes and honky tonkers, each imbued with the trail dust and vast vistas of his beloved American West. Beck’s signature Fender Bender shows up on the tracks “Don’t Hurt My Heart” and “Amanda Come Home,” the latter one of two songs paying homage to military veterans. The other is a cover of Wilbert Harrison’s “Let’s Work Together,” made famous by Canned Heat and Bryan Ferry.

Beck’s guitar playing has earned him comparisons to Stephen Stills, and praise from no less a legend than Woody Guthrie contemporary Ramblin’ Jack Elliott, who says of Beck’s picking skills, “Mike Beck plays the guitar like a Byrd. His strings do things that mine could never do. They obey the slightest finger touch commands like a fine reining horse.”

Born and raised in Monterey, Calif., Beck attended the Monterey Pop Festival at 13 and liked what he heard, so he picked up a guitar and never looked back. He honed his songwriting skills and warm, engaging stage presence while riding the ranges of California, Nevada and Montana as a working cowboy. Today, he splits his non touring time between Monterey and Austin, Texas, sometimes performing with the Bohemian Saints, his Byrds /Burrito Brothers/ Stones influenced guitar band. While on the road, he also conducts horsemanship clinics, using techniques he learned from Tom and Bill Dorrance, Ray Hunt and others.

Beck recently helped develop a groundbreaking horsemanship program for the Joyful Horse Project, an Austin based non profit equine rescue group. Pairing combat veterans with horses undergoing rehabilitation from abuse or neglect, the program helps both to heal. Beck is donating all proceeds from sales of TRIBUTE to this new program.

Visit Mike online http://www.mikebeck.com